Abi was watching a smaller vessel descend to collect them, the craft even uglier than the vast ship that had spawned it. She had the same look on her face as when Cade had first shown her the Lands Beyond, as when she played with lightning in her hand, enthralled by glorious potential.
‘What about Cade?’ she said.
‘Fear not.’ Maia smiled. ‘He too shall be welcomed into the Emperor’s light.’
Abi tried to soothe Cade as he bucked and jerked in her arms. She insisted on carrying him herself, her face bright with thoughts of the wonders that awaited them aboard the great ship.
One-Ear and the Sisters ushered them towards their destiny as Cade screamed in silence.
ABOUT THE AUTHORS
Cassandra Khaw is an award-winning games writer, an award-nominated author, and a scriptwriter at Ubisoft Montreal. She is best known for her Lovecraftian Noir series ‘Persons Non Grata’ and, as of the time of writing, is based in Malmo, Sweden. ‘Nepenthe’ is her first story for Black Library.
Peter McLean has written the short stories ‘Baphomet by Night’ and ‘No Hero’ for Warhammer 40,000. He grew up in Norwich, where he began story-writing, practising martial arts and practical magic, and lives there still with his wife.
Lora Gray lives and works in Northeast Ohio. Their fiction has appeared in various publications including Shimmer, The Dark and Flash Fiction Online. When they aren’t writing, Lora works as an illustrator, dance instructor and wrangler of a very smart cat named Cecil. ‘Crimson Snow’ is Lora’s first story for Black Library.
David Annandale is the author of the novella The Faith and the Flesh, which features in the Warhammer Horror portmanteau The Wicked and the Damned. His work for the Horus Heresy range includes the novels Ruinstorm and The Damnation of Pythos, and the Primarchs novels Roboute Guilliman: Lord of Ultramar and Vulkan: Lord of Drakes. For Warhammer 40,000 he has written Warlord: Fury of the God-Machine, the Yarrick series, several stories involving the Grey Knights, including Warden of the Blade and Castellan, as well as titles for The Beast Arises and the Space Marine Battles series. For Warhammer Age of Sigmar he has written Neferata: Mortarch of Blood. David lectures at a Canadian university, on subjects ranging from English literature to horror films and video games.
Paul Kane is an award-winning, bestselling author and editor of over eighty books. His non-fiction works include The Hellraiser Films and Their Legacy and Voices in the Dark, and he is currently co-chair of the UK chapter of The Horror Writers Association. His work has been adapted for the big and small screen, including for US network primetime television. ‘Triggers’ is his first story for Black Library.
Josh Reynolds is the author of the Warhammer Horror novella The Beast in the Trenches, featured in the portmanteau novel The Wicked and the Damned. He has also written the Horus Heresy Primarchs novel Fulgrim: The Palatine Phoenix, and two audio dramas featuring the Blackshields: The False War and The Red Fief. His Warhammer 40,000 work includes Lukas the Trickster and the Fabius Bile novels Primogenitor and Clonelord. He has written many stories set in the Age of Sigmar, including the novels Shadespire: The Mirrored City, Soul Wars, Eight Lamentations: Spear of Shadows, the Hallowed Knights novels Plague Garden and Black Pyramid, and Nagash: The Undying King. His tales of the Warhammer old world include The Return of Nagash and The Lord of the End Times, and two Gotrek & Felix novels. He lives and works in Sheffield.
J C Stearns is a writer who lives in a swamp in Illinois with his wife and son, as well as more animals than is reasonable. He started writing for Black Library in 2016 and is the author of the short story ‘Wraithbound’, as well as ‘Turn of the Adder’, included in the anthology Inferno! Volume 2 and ‘The Marauder Lives’, in the Warhammer Horror anthology Maledictions. He plays Salamanders, Dark Eldar, Sylvaneth, and as soon as he figures out how to paint lightning bolts, Night Lords.
Graham McNeill has written many Horus Heresy novels, including The Crimson King, Vengeful Spirit and his New York Times bestsellers A Thousand Sons and the novella The Reflection Crack’d, which featured in The Primarchs anthology. Graham’s Ultramarines series, featuring Captain Uriel Ventris, is now six novels long, and has close links to his Iron Warriors stories, the novel Storm of Iron being a perennial favourite with Black Library fans. He has also written the Forges of Mars trilogy, featuring the Adeptus Mechanicus. For Warhammer, he has written the Warhammer Chronicles trilogy The Legend of Sigmar, the second volume of which won the 2010 David Gemmell Legend Award.
Alec Worley is a well-known comics and science fiction and fantasy author, with numerous publications to his name. He is an avid fan of Warhammer 40,000 and has written many short stories for Black Library including ‘Stormseeker’, ‘Whispers’ and ‘Repentia’. He has recently forayed into Warhammer Horror with the audio drama Perdition’s Flame and his novella The Nothings, featured in the anthology Maledictions. He lives and works in London.
Richard Strachan is a writer and editor who lives with his partner and two children in Edinburgh, UK. Despite his best efforts, both children stubbornly refuse to be interested in tabletop wargaming. ‘The Widow Tide’ is his first story for Black Library.
C L Werner’s Black Library credits include the Age of Sigmar novels Overlords of the Iron Dragon and The Tainted Heart, the novella ‘Scion of the Storm’ in Hammers of Sigmar, the Warhammer novels Deathblade, Mathias Thulmann: Witch Hunter, Runefang and Brunner the Bounty Hunter, the Thanquol and Boneripper series and Time of Legends: The Black Plague series. For Warhammer 40,000 he has written the Space Marine Battles novel The Siege of Castellax. Currently living in the American south-west, he continues to write stories of mayhem and madness set in the Warhammer worlds.
An extract from The Wicked and the Damned.
The sky was on fire.
As beginnings go, I think it has poetry. We were at war – when are we not? – and the world was burning beneath us. Beneath me. The air tasted of smoke and the heat pressed down on me, like the hand of the God-Emperor. My ears were ringing, but I could hear men screaming, up and down the trench-line. They were always screaming. Crying and wailing. My regiment was mostly made up of cowards and children, much to my chagrin.
The ferrocrete duckboards buckled beneath me as I pushed myself to my feet and fumbled for the laspistol on my hip. The mud – we’d taken to calling it ‘the soup’, for obvious reasons – beneath the duckboards was boiling from the heat of the barrage. The trench was sloughing into a new shape around me as I stumbled towards the nearest screams. The walls bubbled, bulging outwards or collapsing inwards. The ferrocrete frames of the line were cracked and pushed out of joint. Sometimes whole sections of the line – and everything in them – vanished into the soup. Like they’d never existed at all.
War is a hungry beast, and it gobbles its prey. A regiment can die in a moment, triumph can turn to tragedy, victory to defeat. Only by maintaining discipline can the hunger of war be held at bay. But discipline, like ferrocrete, can crack and burst, and vanish under the mud, unless someone tends to it.
Men moved around me, but I barely saw them – grey shadows, uniforms coated with mud and ash, environment masks giving everyone the same inhuman features. I didn’t often wear my mask, despite the way the heat bit at my lungs and sinuses. I wanted them to see me. To see my face. To see that I wasn’t like them. They needed to be reminded of that. I needed to be reminded of that. Standards – discipline – had to be maintained.
Coughing, I stumbled down the line, shoving men aside. They didn’t protest, or I didn’t hear them if they did. They saw my face, the black peaked cap, the coat – stained with mud though it was – and they knew me. Knew who I was, what I was. And they straightened at their positions. They went quiet. Like good soldiers.
But where there are good soldiers there are bad soldiers. There are always bad soldiers, in every regiment. The lazy and the cowardly. The unscrupulous and the mad. The God-Emperor saw them, and I saw them too. I had been trained my whole life to see them. To see the signs of faltering courage in a man, sometimes before the soldier in question even realised it. And then, to act.
Cowardice could spread like an illness, if left unchecked. And not just cowardice. Licentiousness, disrespect… these found fertile soil in untended souls. If not dealt with, they could bring a regiment to its knees. Cripple it, or even destroy it.
But not that day. Not then, with the sky burning with chemical fire and the trenches turning to soup around me. The screaming was bad for morale. Bad for the regiment. And I knew my duty.
Laspistol in hand, I swept down the line, moving quicker. The longer the screams went on, the worse the effect would be. Another lesson learned in the schola progenium. They’d taught me so many valuable things, there. I give thanks to the God-Emperor every night for those times, gruelling though they were.
The trenches I passed through were irregular canyons of mud, bolstered by support slabs of ferrocrete. In places, pre-fab bunkers of stone and metal had been sunk into the mud, their regimental markings obscured by grime and damage. Heavy environment netting had been strung over the tops of some places, in order to keep out the worst of the inclement weather. It didn’t work here – it rarely worked anywhere. But we strung it regardless, as the manuals insisted. We dug our trenches to regulation depth, despite the mud, and set our guns and placed our emplacements.
There is a right way to do things, and a wrong way. I know this. Another lesson, and one I took readily to heart. The right way was the way the God-Emperor wished it to be. The wrong way was the way of heresy, of disrespect and ill-discipline.
Armaplas firing pavises lined the top of the trenches, and men lined up behind them, standing on overturned crates or ferrocrete slabs. The sound of las-fire split the air as the soldiers vented their frustrations on the unseen enemy. It was always the same – during or just after a barrage, they would expend valuable charges from their lasrifles. The officers had given up trying to stop them from shooting at ghosts.
An odd word, that. Ghosts. But appropriate, I think, given our foe. They pounded us from afar, rarely daring to draw close. Rarely deigning, I should say. I couldn’t remember a day without their guns. Without that hateful rhythm. Even when they were silent, the air echoed with them. I couldn’t escape, even in sleep. If not for my training, I might well have been driven mad by it.
Some, among my charges, had been. The incessant bombardment ate away at their simple psyches, breaking their minds and spirits. When that happened, I had to be quick. I couldn’t allow the weakness to spread.
I reached the source of the screams after a few moments of laboured stumbling, and shoved my way through the grey crowd of masked loiterers. ‘Back to your positions,’ I growled, shoving men against the sides of the trench. ‘Get back. Back!’
They muttered darkly, their voices muffled by their masks, but they knew better than to argue. Arguing with a commissar was the equivalent of sleeping beneath a battle tank – one could get away with it, but only rarely.
When the space had cleared, I saw the screamer. He was young, and had torn his mask off, exposing milk-pale features and eyes so blue that I thought at first he’d suffered some injury. His uniform was spattered with mud and ash, and his weapon was nowhere to be seen. A medical corpsman crouched beside him, the caduceus on his shoulder plate faded and all but scraped away. The screamer did not appear to be injured. I holstered my weapon.
‘Why is he screaming?’
The corpsman looked up at me, eyes wide. He mumbled something, his voice muffled by his mask. I had never met a corpsman of any use. I shoved him aside and caught the screamer by the collar. He thrashed in my grip, boneless, like a worm. He babbled nonsense in that slurring dialect of Low Gothic shared by most of the regiment. I had never bothered to learn it, as most of them eventually figured out the right way to talk.
‘On your feet,’ I said, dragging him upright. ‘Answer me.’
