1992 (R 1997) ( Permanence of Paper).
00-C2205-FM 8/17/02 3:36 PM Page vii Contents
List of Illustrations
ix
Acknowledgments
xi
Introduction: The Dark Mirror
1
part 1
hollywood in berlin, 1933 – 1939
Chapter 1 Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry
23
Chapter 2 Incorporating the Underground: Curtis Bernhardt’s The Tunnel
50
Chapter 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire
72
Chapter 4 Siegfried Rides Again: Nazi Westerns and Modernity 99
part 2
berlin in hollywood, 1939 – 1955
Chapter 5 Wagner at Warner’s: German Sounds and Hollywood Studio Visions
137
Chapter 6 Berlin Noir: Robert Siodmak’s Hollywood 164
Chapter 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism
201
Chapter 8 Isolde Resurrected: Curtis Bernhardt’s Interrupted Melody
234
Epilogue: “Talking about Germany”
259
Notes
273
Index
309
00-C2205-FM 8/17/02 3:36 PM Page viii
00-C2205-FM 8/17/02 3:36 PM Page ix Illustrations
Film posters from Robert Siodmak’s The Dark Mirror frontispieces
1. Olivia de Havilland in Robert Siodmak’s The Dark Mirror 14
2. Ad for the German-language release of Lloyd Bacon’s The Singing Fool
27
3. Ads for music films shown in Germany in 1933
39