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1992 (R 1997) ( Permanence of Paper).

00-C2205-FM 8/17/02 3:36 PM Page vii Contents

List of Illustrations

ix

Acknowledgments

xi

Introduction: The Dark Mirror

1

part 1

hollywood in berlin, 1933 – 1939

Chapter 1 Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry

23

Chapter 2 Incorporating the Underground: Curtis Bernhardt’s The Tunnel

50

Chapter 3 Engendering Mass Culture: Zarah Leander and the Economy of Desire

72

Chapter 4 Siegfried Rides Again: Nazi Westerns and Modernity 99

part 2

berlin in hollywood, 1939 – 1955

Chapter 5 Wagner at Warner’s: German Sounds and Hollywood Studio Visions

137

Chapter 6 Berlin Noir: Robert Siodmak’s Hollywood 164

Chapter 7 Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism

201

Chapter 8 Isolde Resurrected: Curtis Bernhardt’s Interrupted Melody

234

Epilogue: “Talking about Germany”

259

Notes

273

Index

309

00-C2205-FM 8/17/02 3:36 PM Page viii

00-C2205-FM 8/17/02 3:36 PM Page ix Illustrations

Film posters from Robert Siodmak’s The Dark Mirror frontispieces

1. Olivia de Havilland in Robert Siodmak’s The Dark Mirror 14

2. Ad for the German-language release of Lloyd Bacon’s The Singing Fool

27

3. Ads for music films shown in Germany in 1933

39

Are sens

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