“It is as you say, señor canon,” said the curate; “and for that reason those who have hitherto written books of the sort deserve all the more censure for writing without paying any attention to good taste or the rules of art, by which they might guide themselves and become as famous in prose as the two princes of Greek and Latin poetry are in verse.”
“I myself, at any rate,” said the canon, “was once tempted to write a book of chivalry in which all the points I have mentioned were to be observed; and if I must own the truth I have more than a hundred sheets written; and to try if it came up to my own opinion of it, I showed them to persons who were fond of this kind of reading, to learned and intelligent men as well as to ignorant people who cared for nothing but the pleasure of listening to nonsense, and from all I obtained flattering approval; nevertheless I proceeded no farther with it, as well because it seemed to me an occupation inconsistent with my profession, as because I perceived that the fools are more numerous than the wise; and, though it is better to be praised by the wise few than applauded by the foolish many, I have no mind to submit myself to the stupid judgment of the silly public, to whom the reading of such books falls for the most part.
“But what most of all made me hold my hand and even abandon all idea of finishing it was an argument I put to myself taken from the plays that are acted now-a-days, which was in this wise: if those that are now in vogue, as well those that are pure invention as those founded on history, are, all or most of them, downright nonsense and things that have neither head nor tail, and yet the public listens to them with delight, and regards and cries them up as perfection when they are so far from it; and if the authors who write them, and the players who act them, say that this is what they must be, for the public wants this and will have nothing else; and that those that go by rule and work out a plot according to the laws of art will only find some half-dozen intelligent people to understand them, while all the rest remain blind to the merit of their composition; and that for themselves it is better to get bread from the many than praise from the few; then my book will fare the same way, after I have burnt off my eyebrows in trying to observe the principles I have spoken of, and I shall be ‘the tailor of the corner.’ And though I have sometimes endeavoured to convince actors that they are mistaken in this notion they have adopted, and that they would attract more people, and get more credit, by producing plays in accordance with the rules of art, than by absurd ones, they are so thoroughly wedded to their own opinion that no argument or evidence can wean them from it.
“I remember saying one day to one of these obstinate fellows, ‘Tell me, do you not recollect that a few years ago, there were three tragedies acted in Spain, written by a famous poet of these kingdoms, which were such that they filled all who heard them with admiration, delight, and interest, the ignorant as well as the wise, the masses as well as the higher orders, and brought in more money to the performers, these three alone, than thirty of the best that have been since produced?’
“‘No doubt,’ replied the actor in question, ‘you mean the “Isabella,” the “Phyllis,” and the “Alexandra.”’
“‘Those are the ones I mean,’ said I; ‘and see if they did not observe the principles of art, and if, by observing them, they failed to show their superiority and please all the world; so that the fault does not lie with the public that insists upon nonsense, but with those who don’t know how to produce something else. “The Ingratitude Revenged” was not nonsense, nor was there any in “The Numantia,” nor any to be found in “The Merchant Lover,” nor yet in “The Friendly Fair Foe,” nor in some others that have been written by certain gifted poets, to their own fame and renown, and to the profit of those that brought them out;’ some further remarks I added to these, with which, I think, I left him rather dumbfoundered, but not so satisfied or convinced that I could disabuse him of his error.”
“You have touched upon a subject, señor canon,” observed the curate here, “that has awakened an old enmity I have against the plays in vogue at the present day, quite as strong as that which I bear to the books of chivalry; for while the drama, according to Tully, should be the mirror of human life, the model of manners, and the image of the truth, those which are presented now-a-days are mirrors of nonsense, models of folly, and images of lewdness. For what greater nonsense can there be in connection with what we are now discussing than for an infant to appear in swaddling clothes in the first scene of the first act, and in the second a grown-up bearded man? Or what greater absurdity can there be than putting before us an old man as a swashbuckler, a young man as a poltroon, a lackey using fine language, a page giving sage advice, a king plying as a porter, a princess who is a kitchen-maid? And then what shall I say of their attention to the time in which the action they represent may or can take place, save that I have seen a play where the first act began in Europe, the second in Asia, the third finished in Africa, and no doubt, had it been in four acts, the fourth would have ended in America, and so it would have been laid in all four quarters of the globe? And if truth to life is the main thing the drama should keep in view, how is it possible for any average understanding to be satisfied when the action is supposed to pass in the time of King Pepin or Charlemagne, and the principal personage in it they represent to be the Emperor Heraclius who entered Jerusalem with the cross and won the Holy Sepulchre, like Godfrey of Bouillon, there being years innumerable between the one and the other? or, if the play is based on fiction and historical facts are introduced, or bits of what occurred to different people and at different times mixed up with it, all, not only without any semblance of probability, but with obvious errors that from every point of view are inexcusable? And the worst of it is, there are ignorant people who say that this is perfection, and that anything beyond this is affected refinement. And then if we turn to sacred dramas—what miracles they invent in them! What apocryphal, ill-devised incidents, attributing to one saint the miracles of another! And even in secular plays they venture to introduce miracles without any reason or object except that they think some such miracle, or transformation as they call it, will come in well to astonish stupid people and draw them to the play. All this tends to the prejudice of the truth and the corruption of history, nay more, to the reproach of the wits of Spain; for foreigners who scrupulously observe the laws of the drama look upon us as barbarous and ignorant, when they see the absurdity and nonsense of the plays we produce. Nor will it be a sufficient excuse to say that the chief object well-ordered governments have in view when they permit plays to be performed in public is to entertain the people with some harmless amusement occasionally, and keep it from those evil humours which idleness is apt to engender; and that, as this may be attained by any sort of play, good or bad, there is no need to lay down laws, or bind those who write or act them to make them as they ought to be made, since, as I say, the object sought for may be secured by any sort. To this I would reply that the same end would be, beyond all comparison, better attained by means of good plays than by those that are not so; for after listening to an artistic and properly constructed play, the hearer will come away enlivened by the jests, instructed by the serious parts, full of admiration at the incidents, his wits sharpened by the arguments, warned by the tricks, all the wiser for the examples, inflamed against vice, and in love with virtue; for in all these ways a good play will stimulate the mind of the hearer be he ever so boorish or dull; and of all impossibilities the greatest is that a play endowed with all these qualities will not entertain, satisfy, and please much more than one wanting in them, like the greater number of those which are commonly acted now-a-days. Nor are the poets who write them to be blamed for this; for some there are among them who are perfectly well aware of their faults, and know what they ought to do; but as plays have become a salable commodity, they say, and with truth, that the actors will not buy them unless they are after this fashion; and so the poet tries to adapt himself to the requirements of the actor who is to pay him for his work. And that this is the truth may be seen by the countless plays that a most fertile wit of these kingdoms has written, with so much brilliancy, so much grace and gaiety, such polished versification, such choice language, such profound reflections, and in a word, so rich in eloquence and elevation of style, that he has filled the world with his fame; and yet, in consequence of his desire to suit the taste of the actors, they have not all, as some of them have, come as near perfection as they ought. Others write plays with such heedlessness that, after they have been acted, the actors have to fly and abscond, afraid of being punished, as they often have been, for having acted something offensive to some king or other, or insulting to some noble family. All which evils, and many more that I say nothing of, would be removed if there were some intelligent and sensible person at the capital to examine all plays before they were acted, not only those produced in the capital itself, but all that were intended to be acted in Spain; without whose approval, seal, and signature, no local magistracy should allow any play to be acted. In that case actors would take care to send their plays to the capital, and could act them in safety, and those who write them would be more careful and take more pains with their work, standing in awe of having to submit it to the strict examination of one who understood the matter; and so good plays would be produced and the objects they aim at happily attained; as well the amusement of the people, as the credit of the wits of Spain, the interest and safety of the actors, and the saving of trouble in inflicting punishment on them. And if the same or some other person were authorised to examine the newly written books of chivalry, no doubt some would appear with all the perfections you have described, enriching our language with the gracious and precious treasure of eloquence, and driving the old books into obscurity before the light of the new ones that would come out for the harmless entertainment, not merely of the idle but of the very busiest; for the bow cannot be always bent, nor can weak human nature exist without some lawful amusement.”
The canon and the curate had proceeded thus far with their conversation, when the barber, coming forward, joined them, and said to the curate, “This is the spot, señor licentiate, that I said was a good one for fresh and plentiful pasture for the oxen, while we take our noontide rest.”
“And so it seems,” returned the curate, and he told the canon what he proposed to do, on which he too made up his mind to halt with them, attracted by the aspect of the fair valley that lay before their eyes; and to enjoy it as well as the conversation of the curate, to whom he had begun to take a fancy, and also to learn more particulars about the doings of Don Quixote, he desired some of his servants to go on to the inn, which was not far distant, and fetch from it what eatables there might be for the whole party, as he meant to rest for the afternoon where he was; to which one of his servants replied that the sumpter mule, which by this time ought to have reached the inn, carried provisions enough to make it unnecessary to get anything from the inn except barley.
“In that case,” said the canon, “take all the beasts there, and bring the sumpter mule back.”
While this was going on, Sancho, perceiving that he could speak to his master without having the curate and the barber, of whom he had his suspicions, present all the time, approached the cage in which Don Quixote was placed, and said, “Señor, to ease my conscience I want to tell you the state of the case as to your enchantment, and that is that these two here, with their faces covered, are the curate of our village and the barber; and I suspect they have hit upon this plan of carrying you off in this fashion, out of pure envy because your worship surpasses them in doing famous deeds; and if this be the truth it follows that you are not enchanted, but hoodwinked and made a fool of. And to prove this I want to ask you one thing; and if you answer me as I believe you will answer, you will be able to lay your finger on the trick, and you will see that you are not enchanted but gone wrong in your wits.”
“Ask what thou wilt, Sancho my son,” returned Don Quixote, “for I will satisfy thee and answer all thou requirest. As to what thou sayest, that these who accompany us yonder are the curate and the barber, our neighbours and acquaintances, it is very possible that they may seem to be those same persons; but that they are so in reality and in fact, believe it not on any account; what thou art to believe and think is that, if they look like them, as thou sayest, it must be that those who have enchanted me have taken this shape and likeness; for it is easy for enchanters to take any form they please, and they may have taken those of our friends in order to make thee think as thou dost, and lead thee into a labyrinth of fancies from which thou wilt find no escape though thou hadst the cord of Theseus; and they may also have done it to make me uncertain in my mind, and unable to conjecture whence this evil comes to me; for if on the one hand thou dost tell me that the barber and curate of our village are here in company with us, and on the other I find myself shut up in a cage, and know in my heart that no power on earth that was not supernatural would have been able to shut me in, what wouldst thou have me say or think, but that my enchantment is of a sort that transcends all I have ever read of in all the histories that deal with knights-errant that have been enchanted? So thou mayest set thy mind at rest as to the idea that they are what thou sayest, for they are as much so as I am a Turk. But touching thy desire to ask me something, say on, and I will answer thee, though thou shouldst ask questions from this till to-morrow morning.”
“May Our Lady be good to me!” said Sancho, lifting up his voice; “and is it possible that your worship is so thick of skull and so short of brains that you cannot see that what I say is the simple truth, and that malice has more to do with your imprisonment and misfortune than enchantment? But as it is so, I will prove plainly to you that you are not enchanted. Now tell me, so may God deliver you from this affliction, and so may you find yourself when you least expect it in the arms of my lady Dulcinea—”
“Leave off conjuring me,” said Don Quixote, “and ask what thou wouldst know; I have already told thee I will answer with all possible precision.”
“That is what I want,” said Sancho; “and what I would know, and have you tell me, without adding or leaving out anything, but telling the whole truth as one expects it to be told, and as it is told, by all who profess arms, as your worship professes them, under the title of knights-errant—”
“I tell thee I will not lie in any particular,” said Don Quixote; “finish thy question; for in truth thou weariest me with all these asseverations, requirements, and precautions, Sancho.”
“Well, I rely on the goodness and truth of my master,” said Sancho; “and so, because it bears upon what we are talking about, I would ask, speaking with all reverence, whether since your worship has been shut up and, as you think, enchanted in this cage, you have felt any desire or inclination to go anywhere, as the saying is?”
“I do not understand ‘going anywhere,’” said Don Quixote; “explain thyself more clearly, Sancho, if thou wouldst have me give an answer to the point.”
“Is it possible,” said Sancho, “that your worship does not understand ‘going anywhere’? Why, the schoolboys know that from the time they were babes. Well then, you must know I mean have you had any desire to do what cannot be avoided?”
“Ah! now I understand thee, Sancho,” said Don Quixote; “yes, often, and even this minute; get me out of this strait, or all will not go right.”
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CHAPTER XLIX.
WHICH TREATS OF THE SHREWD CONVERSATION WHICH SANCHO PANZA HELD WITH HIS MASTER DON QUIXOTE
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“Aha, I have caught you,” said Sancho; “this is what in my heart and soul I was longing to know. Come now, señor, can you deny what is commonly said around us, when a person is out of humour, ‘I don’t know what ails so-and-so, that he neither eats, nor drinks, nor sleeps, nor gives a proper answer to any question; one would think he was enchanted’? From which it is to be gathered that those who do not eat, or drink, or sleep, or do any of the natural acts I am speaking of—that such persons are enchanted; but not those that have the desire your worship has, and drink when drink is given them, and eat when there is anything to eat, and answer every question that is asked them.”
“What thou sayest is true, Sancho,” replied Don Quixote; “but I have already told thee there are many sorts of enchantments, and it may be that in the course of time they have been changed one for another, and that now it may be the way with enchanted people to do all that I do, though they did not do so before; so it is vain to argue or draw inferences against the usage of the time. I know and feel that I am enchanted, and that is enough to ease my conscience; for it would weigh heavily on it if I thought that I was not enchanted, and that in a faint-hearted and cowardly way I allowed myself to lie in this cage, defrauding multitudes of the succour I might afford to those in need and distress, who at this very moment may be in sore want of my aid and protection.”
“Still for all that,” replied Sancho, “I say that, for your greater and fuller satisfaction, it would be well if your worship were to try to get out of this prison (and I promise to do all in my power to help, and even to take you out of it), and see if you could once more mount your good Rocinante, who seems to be enchanted too, he is so melancholy and dejected; and then we might try our chance in looking for adventures again; and if we have no luck there will be time enough to go back to the cage; in which, on the faith of a good and loyal squire, I promise to shut myself up along with your worship, if so be you are so unfortunate, or I so stupid, as not to be able to carry out my plan.”
“I am content to do as thou sayest, brother Sancho,” said Don Quixote, “and when thou seest an opportunity for effecting my release I will obey thee absolutely; but thou wilt see, Sancho, how mistaken thou art in thy conception of my misfortune.”
The knight-errant and the ill-errant squire kept up their conversation till they reached the place where the curate, the canon, and the barber, who had already dismounted, were waiting for them. The carter at once unyoked the oxen and left them to roam at large about the pleasant green spot, the freshness of which seemed to invite, not enchanted people like Don Quixote, but wide-awake, sensible folk like his squire, who begged the curate to allow his master to leave the cage for a little; for if they did not let him out, the prison might not be as clean as the propriety of such a gentleman as his master required. The curate understood him, and said he would very gladly comply with his request, only that he feared his master, finding himself at liberty, would take to his old courses and make off where nobody could ever find him again.
“I will answer for his not running away,” said Sancho.
“And I also,” said the canon, “especially if he gives me his word as a knight not to leave us without our consent.”
Don Quixote, who was listening to all this, said, “I give it;—moreover one who is enchanted as I am cannot do as he likes with himself; for he who had enchanted him could prevent his moving from one place for three ages, and if he attempted to escape would bring him back flying.”—And that being so, they might as well release him, particularly as it would be to the advantage of all; for, if they did not let him out, he protested he would be unable to avoid offending their nostrils unless they kept their distance.
The canon took his hand, tied together as they both were, and on his word and promise they unbound him, and rejoiced beyond measure he was to find himself out of the cage. The first thing he did was to stretch himself all over, and then he went to where Rocinante was standing and giving him a couple of slaps on the haunches said, “I still trust in God and in his blessed mother, O flower and mirror of steeds, that we shall soon see ourselves, both of us, as we wish to be, thou with thy master on thy back, and I mounted upon thee, following the calling for which God sent me into the world.” And so saying, accompanied by Sancho, he withdrew to a retired spot, from which he came back much relieved and more eager than ever to put his squire’s scheme into execution.
The canon gazed at him, wondering at the extraordinary nature of his madness, and that in all his remarks and replies he should show such excellent sense, and only lose his stirrups, as has been already said, when the subject of chivalry was broached. And so, moved by compassion, he said to him, as they all sat on the green grass awaiting the arrival of the provisions:
“Is it possible, gentle sir, that the nauseous and idle reading of books of chivalry can have had such an effect on your worship as to upset your reason so that you fancy yourself enchanted, and the like, all as far from the truth as falsehood itself is? How can there be any human understanding that can persuade itself there ever was all that infinity of Amadises in the world, or all that multitude of famous knights, all those emperors of Trebizond, all those Felixmartes of Hircania, all those palfreys, and damsels-errant, and serpents, and monsters, and giants, and marvellous adventures, and enchantments of every kind, and battles, and prodigious encounters, splendid costumes, love-sick princesses, squires made counts, droll dwarfs, love letters, billings and cooings, swashbuckler women, and, in a word, all that nonsense the books of chivalry contain? For myself, I can only say that when I read them, so long as I do not stop to think that they are all lies and frivolity, they give me a certain amount of pleasure; but when I come to consider what they are, I fling the very best of them at the wall, and would fling it into the fire if there were one at hand, as richly deserving such punishment as cheats and impostors out of the range of ordinary toleration, and as founders of new sects and modes of life, and teachers that lead the ignorant public to believe and accept as truth all the folly they contain. And such is their audacity, they even dare to unsettle the wits of gentlemen of birth and intelligence, as is shown plainly by the way they have served your worship, when they have brought you to such a pass that you have to be shut up in a cage and carried on an ox-cart as one would carry a lion or a tiger from place to place to make money by showing it. Come, Señor Don Quixote, have some compassion for yourself, return to the bosom of common sense, and make use of the liberal share of it that heaven has been pleased to bestow upon you, employing your abundant gifts of mind in some other reading that may serve to benefit your conscience and add to your honour. And if, still led away by your natural bent, you desire to read books of achievements and of chivalry, read the Book of Judges in the Holy Scriptures, for there you will find grand reality, and deeds as true as they are heroic. Lusitania had a Viriatus, Rome a Cæsar, Carthage a Hannibal, Greece an Alexander, Castile a Count Fernan Gonzalez, Valencia a Cid, Andalusia a Gonzalo Fernandez, Estremadura a Diego García de Paredes, Jerez a Garci Perez de Vargas, Toledo a Garcilaso, Seville a Don Manuel de Leon, to read of whose valiant deeds will entertain and instruct the loftiest minds and fill them with delight and wonder. Here, Señor Don Quixote, will be reading worthy of your sound understanding; from which you will rise learned in history, in love with virtue, strengthened in goodness, improved in manners, brave without rashness, prudent without cowardice; and all to the honour of God, your own advantage and the glory of La Mancha, whence, I am informed, your worship derives your birth.”
Don Quixote listened with the greatest attention to the canon’s words, and when he found he had finished, after regarding him for some time, he replied to him:
“It appears to me, gentle sir, that your worship’s discourse is intended to persuade me that there never were any knights-errant in the world, and that all the books of chivalry are false, lying, mischievous and useless to the State, and that I have done wrong in reading them, and worse in believing them, and still worse in imitating them, when I undertook to follow the arduous calling of knight-errantry which they set forth; for you deny that there ever were Amadises of Gaul or of Greece, or any other of the knights of whom the books are full.”
“It is all exactly as you state it,” said the canon; to which Don Quixote returned, “You also went on to say that books of this kind had done me much harm, inasmuch as they had upset my senses, and shut me up in a cage, and that it would be better for me to reform and change my studies, and read other truer books which would afford more pleasure and instruction.”
“Just so,” said the canon.
