“No man can have a friend on this border. We flock together like buzzards. There's safety in numbers, but we fight together, like buzzards over carrion.”
“Kells, you hate this life?”
“I've always hated my life, everywhere. The only life I ever loved was adventure.... I'm willing to try a new one, if you'll go with me.”
Joan shook her head.
“Why not? I'll marry you,” he went on, speaking lower. “I've got gold; I'll get more.”
“Where did you get the gold?” she asked
“I've relieved a good many overburdened travelers and prospectors,” he replied.
“Kells, you're a—a villain!” exclaimed Joan, unable to contain her sudden heat. “You must be utterly mad—to ask me to marry you.”
“No, I'm not mad,” he rejoined, with a laugh. “Gulden's the mad one. He's crazy. He's got a twist in his brain. I'm no fool.... I've only lost my head over you. But compare marrying me, living and traveling among decent people and comfort, to camps like this. If I don't get drunk I'll be half decent to you. But I'll get shot sooner or later. Then you'll be left to Gulden.”
“Why do you say HIM?” she queried, in a shudder of curiosity.
“Well, Gulden haunts me.”
“He does me, too. He makes me lose my sense of proportion. Beside him you and the others seem good. But you ARE wicked.”
“Then you won't marry me and go away somewhere?... Your choice is strange. Because I tell you the truth.”
“Kells! I'm a woman. Something deep in me says you won't keep me here—you can't be so base. Not now, after I saved your life! It would be horrible—inhuman. I can't believe any man born of a woman could do it.”
“But I want you—I love you!” he said, low and hard.
“Love! That's not love,” she replied in scorn. “God only knows what it is.”
“Call it what you like,” he went on, bitterly. “You're a young, beautiful, sweet woman. It's wonderful to be near you. My life has been hell. I've had nothing. There's only hell to look forward to—and hell at the end. Why shouldn't I keep you here?”
“But, Kells, listen,” she whispered, earnestly, “suppose I am young and beautiful and sweet—as you said. I'm utterly in your power. I'm compelled to seek your protection from even worse men. You're different from these others. You're educated. You must have had—a—a good mother. Now you're bitter, desperate, terrible. You hate life. You seem to think this charm you see in me will bring you something. Maybe a glimpse of joy! But how can it? You know better. How can it... unless I—I love you?”
Kells stared at her, the evil and hardness of his passion corded in his face. And the shadows of comprehending thought in his strange eyes showed the other side of the man. He was still staring at her while he reached to put aside the curtains; then he dropped his head and went out.
Joan sat motionless, watching the door where he had disappeared, listening to the mounting beats of her heart. She had only been frank and earnest with Kells. But he had taken a meaning from her last few words that she had not intended to convey. All that was woman in her—mounting, righting, hating—leaped to the power she sensed in herself. If she could be deceitful, cunning, shameless in holding out to Kells a possible return of his love, she could do anything with him. She knew it. She did not need to marry him or sacrifice herself. Joan was amazed that the idea remained an instant before her consciousness. But something had told her this was another kind of life than she had known, and all that was precious to her hung in the balance. Any falsity was justifiable, even righteous, under the circumstances. Could she formulate a plan that this keen bandit would not see through? The remotest possibility of her even caring for Kells—that was as much as she dared hint. But that, together with all the charm and seductiveness she could summon, might be enough. Dared she try it? If she tried and failed Kells would despise her, and then she was utterly lost. She was caught between doubt and hope. All that was natural and true in her shrank from such unwomanly deception; all that had been born of her wild experience inflamed her to play the game, to match Kells's villainy with a woman's unfathomable duplicity.
And while Joan was absorbed in thought the sun set, the light failed, twilight stole into the cabin, and then darkness. All this hour there had been a continual sound of men's voices in the large cabin, sometimes low and at other times loud. It was only when Joan distinctly heard the name Jim Cleve that she was startled out of her absorption, thrilling and flushing. In her eagerness she nearly fell as she stepped and gropped through the darkness to the door, and as she drew aside the blanket her hand shook.
The large room was lighted by a fire and half a dozen lanterns. Through a faint tinge of blue smoke Joan saw men standing and sitting and lounging around Kells, who had a seat where the light fell full upon him. Evidently a lull had intervened in the talk. The dark faces Joan could see were all turned toward the door expectantly.
“Bring him in, Bate, and let's look him over,” said Kells.
Then Bate Wood appeared, elbowing his way in, and he had his hand on the arm of a tall, lithe fellow. When they got into the light Joan quivered as if she had been stabbed. That stranger with Wood was Jim Cleve—Jim Cleve in frame and feature, yet not the same she knew.
“Cleve, glad to meet you,” greeted Kells, extending his hand.
“Thanks. Same to you,” replied Cleve, and he met the proffered hand. His voice was cold and colorless, unfamiliar to Joan. Was this man really Jim Cleve?
The meeting of Kells and Cleve was significant because of Kells's interest and the silent attention of the men of his clan. It did not seem to mean anything to the white-faced, tragic-eyed Cleve. Joan gazed at him with utter amazement. She remembered a heavily built, florid Jim Cleve, an overgrown boy with a good-natured, lazy smile on his full face and sleepy eyes. She all but failed to recognize him in the man who stood there now, lithe and powerful, with muscles bulging in his coarse, white shirt. Joan's gaze swept over him, up and down, shivering at the two heavy guns he packed, till it was transfixed on his face. The old, or the other, Jim Cleve had been homely, with too much flesh on his face to show force or fire. This man seemed beautiful. But it was a beauty of tragedy. He was as white as Kells, but smoothly, purely white, without shadow or sunburn. His lips seemed to have set with a bitter, indifferent laugh. His eyes looked straight out, piercing, intent, haunted, and as dark as night. Great blue circles lay under them, lending still further depth and mystery. It was a sad, reckless face that wrung Joan's very heartstrings. She had come too late to save his happiness, but she prayed that it was not too late to save his honor and his soul.
While she gazed there had been further exchange of speech between Kells and Cleve, and she had heard, though not distinguished, what was said. Kells was unmistakably friendly, as were the other men within range of Joan's sight. Cleve was surrounded; there were jesting and laughter; and then he was led to the long table where several men were already gambling.
Joan dropped the curtain, and in the darkness of her cabin she saw that white, haunting face, and when she covered her eyes she still saw it. The pain, the reckless violence, the hopeless indifference, the wreck and ruin in that face had been her doing. Why? How had Jim Cleve wronged her? He had loved her at her displeasure and had kissed her against her will. She had furiously upbraided him, and when he had finally turned upon her, threatening to prove he was no coward, she had scorned him with a girl's merciless injustice. All her strength and resolve left her, momentarily, after seeing Jim there. Like a woman, she weakened. She lay on the bed and writhed. Doubt, hopelessness, despair, again seized upon her, and some strange, yearning maddening emotion. What had she sacrificed? His happiness and her own—and both their lives!
The clamor in the other cabin grew so boisterous that suddenly when it stilled Joan was brought sharply to the significance of it. Again she drew aside the curtain and peered out.
Gulden, huge, stolid, gloomy, was entering the cabin. The man fell into the circle and faced Kell with the fire-light dancing in his cavernous eyes.
“Hello, Gulden!” said Kells, coolly. “What ails you?”
“Anybody tell you about Bill Bailey?” asked Gulden, heavily.
Kells did not show the least concern. “Tell me what?”
“That he died in a cabin, down in the valley?”
Kells gave a slight start and his eyes narrowed and shot steely glints. “No. It's news to me.”
“Kells, you left Bailey for dead. But he lived. He was shot through, but he got there somehow—nobody knows. He was far gone when Beady Jones happened along. Before he died he sent word to me by Beady.... Are you curious to know what it was?”
“Not the least,” replied Kells. “Bailey was—well, offensive to my wife. I shot him.”
“He swore you drew on him in cold blood,” thundered Gulden. “He swore it was for nothing—just so you could be alone with that girl!”
Kells rose in wonderful calmness, with only his pallor and a slight shaking of his hands to betray excitement. An uneasy stir and murmur ran through the room. Red Pearce, nearest at hand, stepped to Kells's side. All in a moment there was a deadly surcharged atmosphere there.
