It was just after midnight when Gabriel, Brenda and Oxnard tried out the new floatchairs. They were like an arrangement of airfoam cushions out of the Arabian Nights, except that they floated a dozen centimeters above coppery disks that rested on the floor.
“It’s like sitting on a cloud!” Brenda said, snuggling down on the cushions as they adjusted to fit her form.
“Takes a lot of electricity to maintain the field, doesn’t it?” Oxnard asked.
“You bet,” snapped Gabriel. “And you clowns thought they’d turned off my power.”
“Where’s Cindy?” asked Brenda.
Gabriel gave a tiny shrug. “Probably fell asleep in the whirlpool bath. She does that, sometimes. Nice kid, but not too bright.”
“So what’s your news?” Oxnard asked, anxious to tell his own.
Leaning back in his cushions, Gabriel said, “You know all the flak they’ve been throwing at me about the scripts for ‘The Starcrossed’? Well my original script—the one that little creepy censor and Earnest tore to shreds—is going to get the Screen Writer’s award next month as the best dramatic script of the year.”
“Ron, that’s great!”
Gabriel crowed, “And the Guild is asking the Canadian Department of Labor to sue Badger for using child labor—the high school kids who wrote scripts without getting paid!”
“Can they do that?”
Nodding, Gabriel said, “The lawyers claim they can and they’re naming Gregory Earnest as a co-defendant, along with Badger Studios.”
“The suit won’t affect Titanic, will it?” Brenda asked, looking around.
“Can’t. It’s limited to Canadian law.”
“That’s good; B.F.’s had enough trouble over ‘The Starcrossed.’”
“Nothing he didn’t earn, sweetie,” Gabriel said.
“Maybe so,” Brenda said. “But enough is enough. He’ll be getting out of the hospital next week and I don’t want him hurt anymore.”
Gabriel shook his head. “You’re damned protective of that louse.”
Oxnard glanced at Brenda. She controled herself perfectly. He knew what was going through her mind: He may be a louse, but he’s the only louse in the world who’s my father.
“Has the show been cancelled yet?” Gabriel asked.
“No,” Brenda said. “It’s being renewed for the remainder of the season.”
“What?”
Oxnard said, “Same reaction I had. Wait’ll you hear why.”
“What’s going on?” Gabriel asked, suddenly a-quiver with interest.
“Lots,” Brenda said. “Titanic is receiving about a thousand letters a week from the viewers. Most of them are science fiction fans complaining about the show; but they have to watch it to complain about it. The Nielsen ratings have been so-so, but there’s been a good number of letters asking for pictures of Rita and personal mail for her. She’s become the center of a new Earth Mother cult—most of the letters are from pubescent boys.”
“My god,” Gabriel moaned.
“Goddess,” corrected Oxnard.
“Also,” Brenda went on, “Rita’s apparently got her talons into Keith Conors, the TNT man. So the show’s assured of a sponsor for the rest of the season. She’s got him signing commitments ‘til his head’s spinning.”
With a rueful nod, Gabriel admitted, “She can do that.”
“The New York bankers seem pleased. The show is making money. The critics hate it, of course, but it’s bringing in some money.”
“I’ll be damned,” Gabriel said.
“Never overestimate the taste of the American public,” Brenda said.
Oxnard added, “And the show’s bringing money into my lab, as well. People are seeing how good the new system is and they’re showering us with orders. We’re working three shifts now and I’m expanding the staff and adding more floor space for production.”
Gabriel gave an impressed grunt.
“What Bill doesn’t seem to realize,” Brenda said, “is that it’s really his holographic system that’s created so much interest in ‘The Starcrossed.’ Nobody’d stare at Rita Yearling for long if she didn’t look so solid.”
“I don’t know about that,” Oxnard protested.
“It’s true,” Brenda said. “All the networks and production companies have placed orders for the new system. Everybody’ll have it by next season.”
“Then there goes Titanic’s edge over the competition,” Gabriel said, sounding satisfied with the idea.
“Not quite,” Oxnard said.
