The wall made another angle, and here there was a door.

Guyal hesitated. To follow the new direction of the wall would mean approaching the source of the sound. Would it be better to discover the worst quickly or to reconnoitre as they went?

He propounded the dilemma to Shierl, who shrugged. “It is all one; sooner or later the ghosts will flit down to pluck at us; then we are lost.”

“Not while I possess light to stare them away to wisps and shreds,” said Guyal. “Now I would find the Curator, and possibly he is to be found behind this door. We will so discover.”

He laid his shoulder to the door; it eased ajar with a crack of golden light. Guyal peered through. He sighed, a muffled sound of wonder.

Now he opened the door further; Shierl clutched at his arm.

“This is the Museum,” said Guyal in rapt tone. “Here there is no danger … He who dwells in beauty of this sort may never be other than beneficent …” He flung wide the door.

The light came from an unknown source, from the air itself, as if leaking from the discrete atoms; every breath was luminous, the room floated full of invigorating glow. A great rug pelted the floor, a monster tabard woven of gold, brown, bronze, two tones of green, fuscous red and smalt blue. Beautiful works of human fashioning ranked the walls. In glorious array hung panels of rich woods, carved, chased, enameled; scenes of olden times painted on woven fiber; formulas of color, designed to convey emotion rather than reality. To one side hung plats of wood laid on with slabs of soapstone, malachite and jade in rectangular patterns, richly varied and subtle, with miniature flecks of cinnabar, rhodochrosite and coral for warmth. Beside was a section given to disks of luminous green, flickering and fluorescent with varying blue films and moving dots of scarlet and black. Here were representations of three hundred marvellous flowers, blooms of a forgotten age, no longer extant on waning Earth; there were as many starburst patterns, rigidly conventionalized in form, but each of subtle distinction. All these and a multitude of other creations, selected from the best of human fervor.

The door thudded softly behind them; staring, every inch of skin a-tingle, the two from Earth’s final time moved forward through the hall.

“Somewhere near must be the Curator,” whispered Guyal. “There is a sense of careful tending and great effort here in the gallery.”

“Look.”

Opposite were two doors, laden with the sense of much use. Guyal strode quickly across the room but was unable to discern the means for opening the door, for it bore no latch, key, handle, knob or bar. He rapped with his knuckles and waited; no sound returned.

Shierl tugged at his arm. “These are private regions. It is best not to venture too rudely.”

Guyal turned away and they continued down the gallery. Past the real expression of man’s brightest dreamings they walked, until the concentration of so much fire and spirit and creativity put them into awe. “What great minds lie in the dust,” said Guyal in a low voice. “What gorgeous souls have vanished into the buried ages; what marvellous creatures are lost past the remotest memory … Nevermore will there be the like; now in the last fleeting moments, humanity festers rich as rotten fruit. Rather than master and overpower our world, our highest aim is to cheat it through sorcery.”

Shierl said, “But you, Guyal — you are apart. You are not like this …”

“I would know,” declared Guyal with fierce emphasis. “In all my youth this ache has driven me, and I have journeyed from the old manse at Sfere to learn from the Curator … I am dissatisfied with the mindless accomplishments of the magicians, who have all their lore by rote.”

Shierl gazed at him with a marvelling expression, and Guyal’s soul throbbed with love. She felt him quiver and whispered recklessly, “Guyal of Sfere, I am yours, I melt for you …”

“When we win to peace,” said Guyal, “then our world will be of gladness …”

The room turned a corner, widened. And now the clacking sound they had noticed in the dark outer hall returned, louder, more suggestive of unpleasantness. It seemed to enter the gallery through an arched doorway opposite.

Guyal moved quietly to this door, with Shierl at his heels, and so they peered into the next chamber.

A great face looked from the wall, a face taller than Guyal, as tall as Guyal might reach with hands on high. The chin rested on the floor, the scalp slanted back into the panel.

Guyal stared, taken aback. In this pageant of beautiful objects, the grotesque visage was the disparity and dissonance a lunatic might have created. Ugly and vile was the face, of a gut-wrenching silly obscenity. The skin shone a gun-metal sheen, the eyes gazed dully from slanting folds of greenish tissue. The nose was a small lump, the mouth a gross pulpy slash.

In sudden uncertainty Guyal turned to Shierl. “Does this not seem an odd work so to be honored here in the Museum of Man?”

Shierl was staring with eyes agonized and wide. Her mouth opened, quivered, wetness streaked her chin. With hands jerking, shaking, she grabbed his arm, staggered back into the gallery.

“Guyal,” she cried, “Guyal, come away!” Her voice rose to a pitch. “Come away, come away!”

He faced her in surprise. “What are you saying?”

“That horrible thing in there —”

“It is but the diseased effort of an elder artist.”

“It lives.”

“How is this!”

“It lives!” she babbled. “It looked at me, then turned and looked at you. And it moved — and then I pulled you away …”

Guyal shrugged off her hand; in stark disbelief he faced through the doorway.

“Ahhhh …” breathed Guyal.

The face had changed. The torpor had evaporated; the glaze had departed the eyes. The mouth squirmed; a hiss of escaping gas sounded. The mouth opened; a great gray tongue lolled forth. And from this tongue darted a tendril slimed with mucus. It terminated in a grasping hand, which groped for Guyal’s ankle. He jumped aside; the hand missed its clutch, the tendril coiled.

Guyal, in an extremity, with his bowels clenched by sick fear, sprang back into the gallery. The hand seized Shierl, grasped her ankle. The eyes glistened; and now the flabby tongue swelled another wen, sprouted a new member … Shierl stumbled, fell limp, her eyes staring, foam at her lips. Guyal, shouting in a voice he could not hear, shouting high and crazy, ran forward slashing with his dagger. He cut at the gray wrist, but his knife sprang away as if the steel itself were horrified. His gorge at his teeth, he seized the tendril; with a mighty effort he broke it against his knee.

The face winced, the tendril jerked back. Guyal leapt forward, dragged Shierl into the gallery, lifted her, carried her back, out of reach.

Through the doorway now, Guyal glared in hate and fear. The mouth had closed; it sneered disappointment and frustrated lust. And now Guyal saw a strange thing: from the dank nostril oozed a wisp of white which swirled, writhed, formed a tall thing in a white robe — a thing with a drawn face and eyes like holes in a skull. Whimpering and mewing in distaste for the light, it wavered forward into the gallery, moving with curious little pauses and hesitancies.

Guyal stood still. Fear had exceeded its power; fear no longer had meaning. A brain could react only to the maximum of its intensity; how could this thing harm him now? He would smash it with his hands, beat it into sighing fog.

“Hold, hold, hold!” came a new voice. “Hold, hold, hold. My charms and tokens, an ill day for Thorsingol … But then, avaunt, you ghost, back to the orifice, back and avaunt, avaunt, I say! Go, else I loose the actinics; trespass is not allowed, by supreme command from the Lycurgat; aye, the Lycurgat of Thorsingol. Avaunt, so then.”

The ghost wavered, paused, staring in fell passivity at the old man who had hobbled into the gallery.

Back to the snoring face wandered the ghost, and let itself be sucked up into the nostril.

The face rumbled behind its lips, then opened the great gray gape and belched a white fiery lick that was like flame but not flame. It sheeted, flapped at the old man, who moved not an inch. From a rod fixed high on the door frame came a whirling disk of golden sparks. It cut and dismembered the white sheet, destroyed it back to the mouth of the face, whence now issued a black bar. This bar edged into the whirling disk and absorbed the sparks. There was an instant of dead silence.

Then the old man crowed, “Ah, you evil episode; you seek to interrupt my tenure. But no, there is no validity in your purpose; my clever baton holds your unnatural sorcery in abeyance; you are as naught; why do you not disengage and retreat into Jeldred?”

The rumble behind the large lips continued. The mouth opened wide: a gray viscous cavern was so displayed. The eyes glittered in titanic emotion. The mouth yelled, a roaring wave of violence, a sound to buffet the head and drive shock like a nail into the mind.

The baton sprayed a mist of silver. The sound curved and centralized and sucked into the metal fog; the sound was captured and consumed; it was never heard. The fog balled, lengthened to an arrow, plunged with intense speed at the nose, and buried itself in the pulp. There was a heavy sound, an explosion; the face seethed in pain and the nose was a blasted clutter of shredded gray plasms. They waved like starfish arms and grew together once more, and now the nose was pointed like a cone.

The old man said, “You are captious today, my demoniac visitant — a vicious trait. You would disturb poor old Kerlin in his duties? So. You are ingenuous and neglectful. So ho. Baton,” and he turned and peered at the rod, “you have tasted that sound? Spew out a fitting penalty, smear the odious face with your infallible retort.”

A flat sound, a black flail which curled, slapped the air and smote home to the face. A glowing weal sprang into being. The face sighed and the eyes twisted up into their folds of greenish tissue.

Kerlin the Curator laughed, a shrill yammer on a single tone. He stopped short and the laugh vanished as if it had never begun. He turned to Guyal and Shierl, who stood pressed together in the door-frame.

“How now, how now? You are after the gong; the study hours are long ended. Why do you linger?” He shook a stern finger. “The Museum is not the site for roguery; this I admonish. So now be off, home to Thorsingol; be more prompt the next time; you disturb the established order …” He paused and threw a fretful glance over his shoulder. “The day has gone ill; the Nocturnal Key-keeper is inexcusably late … Surely I have waited an hour on the sluggard; the Lycurgat shall be so informed. I would be home to couch and hearth; here is ill use for old Kerlin, thus to detain him for the careless retard of the night-watch … And, further, the encroachment of you two laggards; away now, and be off; out into the twilight!” And he advanced, making directive motions with his hands.

Guyal said, “My lord Curator, I must speak words with you.”