48; and introduction of sound, 30,
All I Desire, 209
142; speech patterns of, 41. See also
All That Heaven Allows, 209
stars; names of specific actors
All the King’s Men, 202
Addy, Wesley, 211
Althusser, Louis, 16
Adenauer, Konrad, 227 –29, 232, 266
Altman, Rick, 30
Adorno, Theodor W., 7 –10, 86, 93,
American in Paris, An, 239
148, 214, 226, 232, 236, 255, 260;
anamorphic lens, 248
Composing for the Films (with
Angst essen Seele auf (Ali: Fear eats Eisler), 154, 222; The Dialectic of
the soul), 230
Enlightenment (with Horkheimer),
animation features, 137
7, 9, 93, 155, 214; on exile, 14, 162;
Anschluß, 151, 160
on Hollywood film music, 124, 154,
anticolonial criticism, 261
155, 222, 223; on pseudoindividual-
anticommunism, 201, 202
ization, 32, 73; totalizing perspective
anti-Nazi films, 138 – 42, 144 – 45, 165,
of, 12; Versuch über Wagner, 9; on 221
Wagner, 37 –38, 46, 47, 123, 141,
Arendt, Hannah, 17
245
Army, U.S., 228
Adventures of Robin Hood, The, 152
Arnheim, Rudolf, 30, 50, 62 – 64; Ra-
advertising, 7, 12; of films, 85, 96, 105;
dio, 62
music and, 154
art cinema, 2, 158, 159; and equation
aesthetic modernism, 8 –9
of fascism and show business, 6; film
