Henry had come here with the hope that his relationship with his brother would change, and his hope had been fulfilled. Claude Henry Rouvroy was in the process of becoming James Carlyle.
The pistol was fitted with a sound suppressor, and the shots were no louder than a horse cutting wind. Indeed, neither of the horses had been spooked by the gunfire.
Standing over the corpse, Henry strove to quiet his breathing. His tremors forced him to holster the pistol to avoid accidentally squeezing off another round.
He had worried that his brother would grow suspicious of him, and he had feared that he would not be able to pull the trigger when the time came. In the process of assiduously repressing those fears so that he could carry out his plan, he projected his motivations onto Jim, imagining a conspiracy between him and Nora, finding in everyday objects—the knives, the axe—proof of sinister intentions. He had misread menace in innocent actions: Nora watching them from the window, Jim talking about the harriers, about predators and prey.
After a couple of minutes, when his breathing returned to normal and the tremors abated, Henry was able to laugh at himself. Although his laughter was soft, something about it disturbed the horses. They whinnied nervously and pawed the stall floors with their hooves.
Four
Grady Adams lived in a two-story house with silvered cedar siding and a black slate roof, the last of ten residences on a county road. The two-lane blacktop had no official name, only a number, but locals called it Cracker’s Drive, after Cracker Conley, who built—and for forty years occupied—the house in which Grady now lived.
No one remembered what Cracker’s first name had been or why he was called Cracker. Evidently he was an eccentric and certainly a recluse, because to the locals, Cracker was more of a legend than he was a real neighbor with whom they had interacted.
In their minds, Conley’s addiction to solitude forever affected the character of the house itself. They rarely called it the Conley place or Cracker’s place, never the Adams house or even the house at the end of the lane. It was known as the hermit’s house, and in respect of the name, they tended to keep their distance.
Most of the time, their reticence suited Grady just fine. He was not a misanthrope. But in recent years, he had enough experience—too much—of people, which was why he returned to these sparsely populated mountains. For at least a while, perhaps a long while, he preferred the solitude that Cracker Conley apparently had cherished.
In the kitchen, after returning from the hike on which the intriguing animals had been encountered, Grady prepared Merlin’s four o’clock meal. Preparation took longer than consumption.
“You were well named, the way you make food vanish.”
The dog licked his chops and ambled to the door to be let out.
Half of the three-acre property lay behind the house. After his dinner, the wolfhound liked to prowl the grounds, sniffing the grass to learn what creatures of field and forest had recently visited. The yard was Merlin’s newspaper.
On the back porch, with an icy bottle of beer, Grady sat in one of two teak rockers with wine-red cushions.
A low table with a black-marble top stood beside the chair. Stacked on the table were three reference books from his library.
As intent as a detective at a crime scene, nose to the grass, Merlin vacuumed every clue to the identities of all trespassers.
A large paper birch overhung the north side of the house, and three others graced the yard, their white bark tinted gold in places by the late-afternoon sun. At times, Merlin seemed to be following the intricate patterns the trees cast upon the lawn, as if their shadows were cryptography that he intended to read and decode.
No fence was needed to contain him. He never rebelled against the rule to stay within his master’s sight.
Grady’s property ended where mown lawn gave way to tall grass. The forest loomed, the land rose under the forest, the foothills broke in green waves against the mountains, and the mountains soared.
From time to time, Merlin marked his territory. For the more substantive half of his toilet, he waded into the tall grass, where there would be no need to pick up after him. Even then he remained within sight, for the grass didn’t rise above his brisket.
When he returned to the yard, he raced in great circles and figure eights, chasing nothing, running for the delight of running. His long legs were made for galloping, his heart for joy.
The dog’s beauty was not just that of a well-bred breed, but also the more profound beauty that confirms its source and inspires hope. Two things that most comforted Grady were making Craftsman-style furniture—which was his trade—and watching Merlin.
When the wolfhound returned to the porch, drank from his water bowl, and lay in happy exhaustion beside the rocking chair, Grady picked up the first of the books on the table. Like the other two, this one was a reference guide to the wildlife in these mountains.
He had traded bustle for rustic, power for peace, and glamor for the honesty of this artless landscape. Artless it was, because nature stood above mere art, with none of art’s pretensions.
Having made this trade, he wanted to know the names of the things he loved about this land. Taking the trouble to know the names of things was a way of paying them respect.
His library contained dozens of volumes about the flora, the fauna, the geology, and the natural history of these mountains. This trio offered more photographs than the others.
None of the three books contained a picture of any animal remotely like the pair in the meadow.
As the sun descended toward the peaks, Merlin rose and moved to the head of the porch steps. He stood as if serving as a sentinel, gazing across the backyard toward the tall grass, the woods beyond.
The wolfhound made a sound that was half purr and half growl, not as if warning of danger, but as if something puzzled him.
“What is it? Smell something, big guy?”
Merlin did not look at Grady but remained intent upon the deepening shadows among the distant trees.
Five
Walls of shimmering gold and a treasure of gold cascading along the blacktop: The private lane that led to High Meadows Farm was flanked by quaking aspens in their autumn dress, which lent value to the late-afternoon sunshine and paid out rich patterns of light and shadow across the windshield of Cammy’s Explorer.
She drove past the grand house, to the equestrian facilities, and parked at the end of a line of horse trailers. Carrying her medical bag, she walked to the exercise yard, which was flanked by two stables painted emerald-green with white trim.
A promising yearling had come down with urticaria—nettle rash, as the older grooms called it. This allergic reaction would eventually clear up naturally, but for the comfort of the horse, Cammy could relieve the urticaria with an antihistamine injection.
At the end of the yard, a third building housed the tack room and the office of the trainer, Nash Franklin. Living quarters for the grooms were on the second floor.
Lights glowed in Nash’s office. The door stood open, but Cammy could find no one. The enormous tack room also proved to be deserted.
In the first stable, Cammy discovered the stall doors open on both sides of the central aisle. The horses were gone.
Stepping outside once more, she heard voices and followed them to the fenced meadow on the north side of the building.
The Thoroughbreds were in the pasture: the yearlings, the colts and fillies, the broodmares, the studhorses, the current racers, at least forty of them in all. She’d never seen them gathered in one place before, and she couldn’t imagine for what purpose they had been brought together.
Many of the horses were accompanied by their pets. High-strung, sensitive creatures, Thoroughbreds tended to be happier and calmer when they had a companion animal that hung with them and even shared their stalls. Goats were successful in this role, and to a lesser extent, dogs. But the meadow also contained a few cats, even a duck.
The fact of this assembly, the herd and its menagerie, was not the most curious thing about the scene. As Cammy passed through the gate and into the pasture, she noted that every one of the animals faced west, toward the mountains. They were extraordinarily still.
Heads raised, eyes fixed, they seemed less to be staring at something than to be … listening.
Suddenly she realized that she was witnessing a scene similar to what Ben Aikens had described when, in her absence, the rescued golden retrievers had gotten to their feet to listen to something that none of the people present had been able to hear.
The eastward-slanting light brightened the equine faces. Black shadows flowed backward from their heads, like continuations of their manes, flowed off their rumps and tails, reaching eastward across the grass even as the horses yearned toward the west.
Also in the pasture were half a dozen grooms. And the owners of High Meadows Farm, Helen and Tom Vironi.
Clearly perplexed, the people moved among the herd, gently touching the Thoroughbreds, speaking softly. But the animals appeared to be oblivious of them.
