of, 108; technology and, 128
screen cinema and, 236, 251, 253
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/
313
foreign-language versions of films. See 258, 259, 271, 281n67; on film dia-multiple-language productions
logue, 112 –13; and film music, 40,
Fortune magazine, 234
42 – 43, 45, 292n58; genre cinema
Foucault, Michel, 16, 165, 166
of, 100; on introduction of synchro-
F.P.-1 antwortet nicht (F.P.-1 does not nized sound, 11; Michael, 298n22;
answer), 61
and New German Cinema, 264, 266;
framing devices, 55
Sirk and, 158; speeches of, 61, 131,
Frau, nach der man sich sehnt, Die
173, 177, 298n22; during World
(The woman one desires), 68
War II, 134
Frayling, Christopher, 117, 118
Goethe, Johann Wolfgang von, 66, 269
Freudianism, 265
Gold, 40
Freund, Karl, 178
goldene Stadt, Die, 40
Friedemann Bach, 32
Gold in New Frisco, 100, 121
Fritsch, Willy, 43
Gomez, Thomas, 176
Froelich, Carl, 45, 75, 97, 98, 121
Gorbman, Claudia, 50
frontier, mythic status of, 102 –3
Götterdämmerung, Die (Wagner),
Frühlingsmärchen (Spring fairytale), 237, 240, 244 – 45
45
Gramsci, Antonio, 58, 156
Fury, 207
Granach, Alexander, 145