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Fassbinder, Rainer Werner, 230, 264 –

Du und Ich, 41

66

Fellini, Federico, 199

editing: female stars and, 90, 91; of

feminist film scholarship, 183, 241– 43

film noir, 170, 180, 186; impact of

femmes fatales, 174, 242

synchronized sound on, 50; of melo-

Fenin, George, 290n29

drama, 212, 213; rhythm of, 41; of

Ferrer, Mel, 219

science fiction films, 54, 58; speech

Feuchtwanger, Lion, 18

and, 36; static, 44; of westerns, 116 –

Fichte, Johann Gottlieb, 10

17; of widescreen films, 248, 249

Fidelity Pictures, 302n26

Eisenstein, Sergei, 117, 222, 226

Fiedler, Leslie, 253

Eisler, Hanns, 40, 124, 154, 155, 221–

Film, Der, 80, 121, 129

23, 226; Composing for the Films

Filmblätter, 256

(with Adorno), 154, 222

Film Daily, 299n53

Eisner, Lotte, 275n20

Filmdienst der Jugend, 194

Elsaesser, Thomas, 197, 265, 266,

Filmklubbewegung (film club move-

275n20, 281n8

ment), 256

Elvey, Maurice, 282n22

Filmkritik, 199

Emperor of California, The, 18, 33, Film-Kurier, 28, 47, 84, 111, 114, 120, 40, 101, 109, 111, 114 –21, 116, 124, 131

125, 130, 131

film noir, 165– 68, 201; postwar Ger-

Epstein, Leslie, 18

man response to, 192 –99; voices

Erdmann, Hans, 122

Are sens

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