Fassbinder, Rainer Werner, 230, 264 –
Du und Ich, 41
66
Fellini, Federico, 199
editing: female stars and, 90, 91; of
feminist film scholarship, 183, 241– 43
film noir, 170, 180, 186; impact of
femmes fatales, 174, 242
synchronized sound on, 50; of melo-
Fenin, George, 290n29
drama, 212, 213; rhythm of, 41; of
Ferrer, Mel, 219
science fiction films, 54, 58; speech
Feuchtwanger, Lion, 18
and, 36; static, 44; of westerns, 116 –
Fichte, Johann Gottlieb, 10
17; of widescreen films, 248, 249
Fidelity Pictures, 302n26
Eisenstein, Sergei, 117, 222, 226
Fiedler, Leslie, 253
Eisler, Hanns, 40, 124, 154, 155, 221–
Film, Der, 80, 121, 129
23, 226; Composing for the Films
Filmblätter, 256
(with Adorno), 154, 222
Film Daily, 299n53
Eisner, Lotte, 275n20
Filmdienst der Jugend, 194
Elsaesser, Thomas, 197, 265, 266,
Filmklubbewegung (film club move-
275n20, 281n8
ment), 256
Elvey, Maurice, 282n22
Filmkritik, 199
Emperor of California, The, 18, 33, Film-Kurier, 28, 47, 84, 111, 114, 120, 40, 101, 109, 111, 114 –21, 116, 124, 131
125, 130, 131
film noir, 165– 68, 201; postwar Ger-
Epstein, Leslie, 18
man response to, 192 –99; voices
Erdmann, Hans, 122