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“Get it, or I won’t drive you to town tomorrow.”

I fetched the water. As I handed it over, I saw the smile on his face and without thinking dumped the whole thing on his head. I made it down the hall and was nearly to my room when he caught me.

“Apologize,” he said. Water dripped from his nose onto his T-shirt.

“No.”

He grabbed a fistful of my hair, a large clump, his grip fixed near the root to give him greater leverage, and dragged me into the bathroom. I groped at the door, catching hold of the frame, but he lifted me off the ground, flattened my arms against my body, then dropped my head into the toilet. “Apologize,” he said again. I said nothing. He stuck my head in further, so my nose scraped the stained porcelain. I closed my eyes, but the smell wouldn’t let me forget where I was.

I tried to imagine something else, something that would take me out of myself, but the image that came to mind was of Sadie, crouching, compliant. It pumped me full of bile. He held me there, my nose touching the bowl, for perhaps a minute, then he let me up. The tips of my hair were wet; my scalp was raw.

I thought it was over. I’d begun to back away when he seized my wrist and folded it, curling my fingers and palm into a spiral. He continued folding until my body began to coil, then he added more pressure, so that without thinking, without realizing, I twisted myself into a dramatic bow, my back bent, my head nearly touching the floor, my arm behind my back.

In the parking lot, when Shawn had shown me this hold, I’d moved only a little, responding more to his description than to any physical necessity. It hadn’t seemed particularly effective at the time, but now I understood the maneuver for what it was: control. I could scarcely move, scarcely breathe, without breaking my own wrist. Shawn held me in position with one hand; the other he dangled loosely at his side, to show me how easy it was.

Still harder than if I were Sadie, I thought.

As if he could read my mind, he twisted my wrist further; my body was coiled tightly, my face scraping the floor. I’d done all I could do to relieve the pressure in my wrist. If he kept twisting, it would break.

“Apologize,” he said.

There was a long moment in which fire burned up my arm and into my brain. “I’m sorry,” I said.

He dropped my wrist and I fell to the floor. I could hear his steps moving down the hall. I stood and quietly locked the bathroom door, then I stared into the mirror at the girl clutching her wrist. Her eyes were glassy and drops slid down her cheeks. I hated her for her weakness, for having a heart to break. That he could hurt her, that anyone could hurt her like that, was inexcusable.

I’m only crying from the pain, I told myself. From the pain in my wrist. Not from anything else.

This moment would define my memory of that night, and of the many nights like it, for a decade. In it I saw myself as unbreakable, as tender as stone. At first I merely believed this, until one day it became the truth. Then I was able to tell myself, without lying, that it didn’t affect me, that he didn’t affect me, because nothing affected me. I didn’t understand how morbidly right I was. How I had hollowed myself out. For all my obsessing over the consequences of that night, I had misunderstood the vital truth: that its not affecting me, that was its effect.












In September the twin towers fell. I’d never heard of them until they were gone. Then I watched as planes sank into them, and I stared, bewildered, at the TV as the unimaginably tall structures swayed, then buckled. Dad stood next to me. He’d come in from the junkyard to watch. He said nothing. That evening he read aloud from the Bible, familiar passages from Isaiah, Luke, and the Book of Revelation, about wars and rumors of wars.

Three days later, when she was nineteen, Audrey was married—to Benjamin, a blond-haired farm boy she’d met waitressing in town. The wedding was solemn. Dad had prayed and received a revelation: “There will be a conflict, a final struggle for the Holy Land,” he’d said. “My sons will be sent to war. Some of them will not come home.”

I’d been avoiding Shawn since the night in the bathroom. He’d apologized. He’d come into my room an hour later, his eyes glassy, his voice croaking, and asked me to forgive him. I’d said that I would, that I already had. But I hadn’t.

At Audrey’s wedding, seeing my brothers in their suits, those black uniforms, my rage turned to fear, of some predetermined loss, and I forgave Shawn. It was easy to forgive: after all, it was the End of the World.

For a month I lived as if holding my breath. Then there was no draft, no further attacks. The skies didn’t darken, the moon didn’t turn to blood. There were distant rumblings of war but life on the mountain remained unchanged. Dad said we should stay vigilant, but by winter my attention had shifted back to the trifling dramas of my own life.

I was fifteen and I felt it, felt the race I was running with time. My body was changing, bloating, swelling, stretching, bulging. I wished it would stop, but it seemed my body was no longer mine. It belonged to itself now, and cared not at all how I felt about these strange alterations, about whether I wanted to stop being a child, and become something else.

That something else thrilled and frightened me. I’d always known that I would grow differently than my brothers, but I’d never thought about what that might mean. Now it was all I thought about. I began to look for cues to understand this difference, and once I started looking, I found them everywhere.

One Sunday afternoon, I helped Mother prepare a roast for dinner. Dad was kicking off his shoes and loosening his tie. He’d been talking since we left the church.

“That hemline was three inches above Lori’s knee,” Dad said. “What’s a woman thinking when she puts on a dress like that?” Mother nodded absently while chopping a carrot. She was used to this particular lecture.

“And Jeanette Barney,” Dad said. “If a woman wears a blouse that low-cut, she ought not bend over.” Mother agreed. I pictured the turquoise blouse Jeanette had worn that day. The neckline was only an inch below her collarbone, but it was loose-fitting, and I imagined that if she bent it would give a full view. As I thought this I felt anxious, because although a tighter blouse would have made Jeanette’s bending more modest, the tightness itself would have been less modest. Righteous women do not wear tight clothing. Other women do that.

I was trying to figure out exactly how much tightness would be the right amount when Dad said, “Jeanette waited to bend for that hymnal until I was looking. She wanted me to see.” Mother made a disapproving tsk sound with her teeth, then quartered a potato.

This speech would stay with me in a way that a hundred of its precursors had not. I would remember the words very often in the years that followed, and the more I considered them, the more I worried that I might be growing into the wrong sort of woman. Sometimes I could scarcely move through a room, I was so preoccupied with not walking or bending or crouching like them. But no one had ever taught me the modest way to bend over, so I knew I was probably doing it the bad way.

SHAWN AND I AUDITIONED for a melodrama at Worm Creek. I saw Charles at the first rehearsal and spent half the evening working up the courage to talk to him. When I did, finally, he confided in me that he was in love with Sadie. This wasn’t ideal, but it did give us something to talk about.

Shawn and I drove home together. He sat behind the wheel, glaring at the road as if it had wronged him.

“I saw you talking to Charles,” he said. “You don’t want people thinking you’re that kind of girl.”

“The kind that talks?”

“You know what I mean,” he said.

The next night, Shawn came into my room unexpectedly and found me smudging my eyelashes with Audrey’s old mascara.

“You wear makeup now?” he said.

“I guess.”

He spun around to leave but paused in the doorframe. “I thought you were better,” he said. “But you’re just like the rest.”

He stopped calling me Siddle Lister. “Let’s go, Fish Eyes!” he shouted from across the theater one night. Charles looked around curiously. Shawn began to explain the name, so I started laughing—loud enough, I hoped, to drown him out. I laughed as if I loved the name.

The first time I wore lip gloss, Shawn said I was a whore. I was in my bedroom, standing in front of my mirror, trying it out, when Shawn appeared in the doorway. He said it like a joke but I wiped the color from my lips anyway. Later that night, at the theater, when I noticed Charles staring at Sadie, I reapplied it and saw Shawn’s expression twist. The drive home that night was tense. The temperature outside had fallen well below zero. I said I was cold and Shawn moved to turn up the heat. Then he paused, laughed to himself, and rolled all the windows down. The January wind hit me like a bucket of ice. I tried to roll up my window, but he’d put on the child lock. I asked him to roll it up. “I’m cold,” I kept saying, “I’m really, really cold.” He just laughed. He drove all twelve miles like that, cackling as if it were a game, as if we were both in on it, as if my teeth weren’t clattering.

Are sens

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