* * * * *
The effect of this episode on Archie's mind was that his mother understood, and his father didn't. The prospect of a whipping had not made him falter in his resolve not to say he was sorry, so long as he wasn't sorry, but the moment his mother had put his misdeeds in a sensible light he saw them sensibly, and would not have minded being whipped if by that drastic method he could have borne witness to the reality of his sorrow. But only three days later he received six smart cuts with that horrible cane for climbing on to the unparapetted roof of the house out of his bedroom window, which he had been expressly forbidden to do. But then there was no question of being sorry or not—as a matter of fact he was not—summary justice was executed for mere disobedience, and, before doing the same thing again, he added up the pleasure of going on the roof, and balanced it against the pain inflicted on the tight seat of his sailor-trousers as he bent over a chair, and found it wanting.
It was during this same month which saw his seven completed years that he did a very strange and unintelligible thing, though he suffered it rather than committed it. He did it, that is to say, quite involuntarily, and did not know he was doing it till it was done. This was the manner of it.
Miss Bampton had set him one of her delightful exercises in handwriting in his copy-book. "Never brush your teeth with the housemaid's broom" she had written in her beautiful copper-plate hand at the top of the page, and Archie was sitting with his tongue out copying this remarkable maxim, and amusing himself with conjectures as to what other strange habits such people as were likely to brush their teeth with the housemaid's broom might be supposed to have—perhaps they would lace their boots with the tongs, or write their letters with a poker… He had got about half-way down the page when suddenly there came over him that sensation with which he was beginning to become familiar, that feeling of extension and expansion within himself, that falling away of the limitations of consciousness which opened some new interior world to him.
His pen paused, and then in the wrist of his right hand and in the fingers that still held his pen he felt a curious imperative kind of twitching, and knew that they wanted to write of their own volition, as it were, though it was not his copy that they were concerned with. Under this sensation of absolute compulsion, he took a sheet of paper that lay at his elbow, and let his pen rest on it, watching with the intensest curiosity what it would do. He had no idea what would happen, but he felt that something had to be written. For a couple of minutes perhaps his pen traced random lines on the paper, moving from left to right with a much greater speed than it was wont to go, and the letters began to form themselves with a rapidity and certainty unknown to his careful, halting calligraphy, and in firm upright characters. He saw his own name traced on the paper followed by a sentence, and then his pen (still apparently obedient to some unknown impulse from his fingers) gave a great dash and stopped altogether. And this is what he read:
"Archie, do let me talk to you sometimes.
"MARTIN."
The queer sensation had ceased altogether, and Archie stared blankly at the words that he knew his hand had written. But what they meant, he had no notion, nor did he know who Martin was. The whole thing was quite unintelligible to him, both the impulse that made him write, and that which he had written.
Miss Bampton had left the room on some errand, when she had set Archie his copy, and came back at this moment expecting to find the copy finished. She looked over his shoulder to see how he was getting on.
"My dear, haven't you got further than that?" she said. "I thought you would have finished it by this time."
She saw the other piece of paper half-concealed by Archie's left hand.
"Why, you've been writing something else," she said. "That's why you haven't got on further. Let me look."
"Please not," said Archie. "It's private."
Miss Bampton remembered that, a week ago, Archie had been seized with a
strong desire for literary composition, and had composed a very
remarkable short story, which may be given in full.
"CHAPTER I
"There was once a merderer with yellow eyes, and his wife said to him,
"'If you merder me you will be hung.'
"And he was hung on Tuesday next.
"FINIS."
When Archie had brought this yarn to her she had laughed so uncontrollably that he was hurt. So, in the hope of finding another such (though Archie had no business to write stories in lesson-time) she said:
"My dear, do show me; I won't laugh."
Archie hesitated; he felt shy about disclosing this sentence he had written, but, on the other hand, Miss Bampton, who appeared to know everything, might help him towards the interpretation.
"Well, it's not a story," he said. "It's just this. I wrote it without knowing. Oh, Miss Bampton, what does it mean, and who is Martin?"
If it was Archie who hesitated before, it was Miss Bampton who hesitated now. Suddenly she had a clever thought.
"My dear, you've been thinking about the Martins that built in the sandpit last spring," she said. "Don't you remember how you and Jeannie made up a story about them?"
This was true enough, but it failed to satisfy Archie. Also he had a notion that Miss Bampton had made a call on her ingenuity in offering this explanation.
"But isn't there any other Martin?" he asked.
"None that you ever knew, Archie," she said. "I think it's one of those in the sandpit. Now get on with your copy, and we'll walk there before your dinner."
The incident passed into the medley of impressions that were crowding so
quickly into the storehouse of Archie's consciousness, but it did not
lie there quite unconnected with others. He laid it on the same shelf,
so to speak, as that which held the memory of his waking vision one
night in remote days, and held also the fact of his knowing what Miss
Bampton had thought of in the guessing game. But those were among the
secret things of which he spoke to nobody. One more impression for
secret pondering, though of different sort from those, he had lately
added to his store, and that was when a whipping seemed imminent, and he
saw one of Miss Schwarz's medicine-bottles standing on his father's
table.
CHAPTER IV
Lady Davidstow and Miss Bampton were sitting together that night in Lady Davidstow's bedroom. She had sent her maid away, saying that she would not want her again that night, and now she held in her hand the sheet of paper covered with lines of meaningless scribbles, with the one intelligible sentence at the end, which Archie had written that day when he should have been doing his copy. In the other hand she held a letter written in ink that was now rather faded, and she was comparing the two. She looked at them for some time in silence, then turned to Miss Bampton.
"Yes, you are quite right, Cathie," she said. "What Archie wrote might actually be in Martin's handwriting. Look for yourself: there's the last letter he ever wrote to me."
Miss Bampton took the two papers from her.
"There's absolutely no difference," she said. "The moment I saw what Archie had written, I thought of Martin's handwriting. And then it was signed 'Martin.' Are you sure he has never heard of him? Not that that would account for the handwriting."
Lady Davidstow shook her head.
"I think it's impossible," she said. "Jeannie assured me she had never spoken to him about Martin, nor has Blessington. He may have heard his name. He probably has heard his name mentioned. I remember mentioning it in Archie's hearing the other day, but he didn't pay the slightest attention. And he can't possibly recollect him even in the vaguest way. It is five years now since Martin died, and Archie was then only just two, and for six months before that Martin was with me at Grives."
Cathie Bampton laid down the two papers.
"I can't think why you never told Archie about him," she said.
Lady Davidstow's great grey eyes grew dim.
"Ah, my dear, if you were Martin's mother and Archie's mother you would know," she said. "If you had seen your eldest son die of consumption and your second son threatened with it, you would understand how natural it was not to tell Archie yet of the brother he had never consciously seen. Jack agreed with me, too. I have long been prepared for Archie asking questions, which certainly I would answer truthfully, and let the knowledge come to him quietly by degrees. I may have done wrong; I don't know. But I think I did right. I couldn't begin saying to Archie, 'You had a brother, but he died.' More would have come out; that he died of consumption; that for fear of that Archie lives so much in the open air."
