A great flapping buffeted the air; a black shape with a hideous visage peered down. It lowered a talon; Cugel was lifted and carried off to the north, betrayed a second time by a misplaced pervulsion.
For a day and a night the demon flew, grumbling and moaning. Somewhat after dawn Cugel was cast down on a beach and the demon thundered off through the sky.
There was silence. To right and left spread the gray beach. Behind rose the foreshore with a few clumps of salt-grass and spinifex. A few yards up the beach lay the splintered cage in which once before Cugel had been delivered to this same spot. With head bowed and arms clasped around his knees, Cugel sat looking out across the sea.
-- THE END --
About the Author
Jack Vance (1916 – )
Jack Vance was born in 1916 and studied mining, engineering and journalism at the University of California. During the Second World War he served in the merchant navy and was torpedoed twice.
Author Jack Vance has been central to both science fiction and fantasy since 1945, publishing nearly ninety novels and collections. He has received every major genre award, including the Edgar, Hugo, Nebula, World Fantasy and Science Fiction Writers of America Grand Master.
Beginning in the late 1940s, Vance contributed a variety of short stories and novels to the pulp magazines, but nothing of this early work, dependent as it was on pulp conventions, prefigured the mature Vance. The change began with his first published book, The Dying Earth (1950). The novel's convincing articulation of a future Earth in which magic has replaced science was instantly influential, and remains so to the present, continuing to inspire authors and game designers.
Vance's second original contribution to the science fiction and fantasy fields was his sophisticated approach to the "planetary romance," a style of science fiction tale in which the setting is a richly detailed planet, the characteristics of which significantly effect the plot. Vance's work not only expanded this genre's existing archetypes, but established several new ones, significantly inspiring other authors to this day.
As Vance's created worlds became richer and more complex, so too did his style. His writing had always tended toward the baroque, but by the early 1960s it had developed into an effective, high-mannered diction, saturated with a rich but distanced irony. His resulting genius of place, and command as a landscape artist and gardener of worlds has rarely been matched.
Also By Jack Vance
The Dying Earth
1. The Dying Earth (1950) (aka Mazirian the Magician)
2. The Eyes of the Overworld (1966) (aka Cugel the Clever)
3. Cugel’s Saga (1966) (aka Cugel: The Skybreak Spatterlight)
4. Rhialto the Marvellous (1984)
Big Planet
1. Big Planet (1952)
2. The Magnificent Showboats (1975) (aka The Magnificent Showboats of the Lower Vissel River, Lune XXII South, Big Planet) (aka Showboat World))
Demon Princes
1. The Star King (1964)
2. The Killing Machine (1964)
3. The Palace of Love (1967)
4. The Face (1979)
5. The Book of Dreams (1981)
Planet of Adventure
1. The Chasch (19648 (City of the Chasch)
2. The Wannek (1969) (Servants of the Wankh)
3. The Dirdir (1969)
4. The Pnume (1970)
Durdane
1. The Anome (1973)
2. The Brave Free Men (1973)
3. The Asutra (1974)
Alastor Cluster
1. Trullion: Alastor 2262 (1973)
2. Marune: Alastor 933 (1975)
3. Wyst: Alastor 1716 (1978)
Lyonesse
1. Suldrun’s Garden (1983) (aka Lyonesse)
2. The Green Pearl (1985)
3. Madouc (1990)
Cadwal Chronicles
1. Araminta Station (1988)
2. Ecce and Old Earth (1991)
3. Throy (1992)
