At 7:23, Lieutenant Kinderman pondered a spectrographic analysis showing that the paint from Regan's sculpture matched a scraping of paint from the desecrated statue of the Virgin Mary.
And at 8:47, in a slum in the northeast section of the city, an impassive Karl Engstrom emerged from a rat-infested tenement house, walked three blocks south to a bus stop, waited alone for a minute, expressionless, then crumpled, sobbing, against a lamppost.
Lieutenant Kinderman, at the time, was at the movies.
CHAPTER SIX
On Wednesday, May 11, they were back in the house. They put Regan to bed, installed a lock on the shutters and stripped all the mirrors from her bedroom and bathroom.
"...fewer and fewer lucid moments, and now there's a total blacking out of her consciousness during the fits, I'm afraid. That's new and would seem to eliminate genuine hysteria. In the meantime, a symptom or two in the area of what we call parapsychic phenomena have..."
Dr. Klein came by, and Chris attended with Sharon as he drilled them in proper procedures for administering Sustagen feedings to Regan during her periods of coma. He inserted the nasogastric tubing. "First..."
Chris forced herself to watch and yet not see her daughter's face; to grip at the words that the doctor was saying and push away others she'd heard at the clinic. They seeped through her consciousness like fog through the branches of a willow tree.
"Now you stated 'No religion' here, Mrs. MaeNeil. Is that right? No religious education at all?"
"Oh, well, maybe just 'God.' You know, general. Why?"
"Well, for one thing, the content of much of her raving--- when it isn't that gibberish she's been spouting--- is religiously oriented. Now where do you think she might get that?"
"Well, give me a for instance."
"Oh, 'Jesus and Mary, sixty-nine,' for ex---"
Klein had guided the tubing into Regan's stomach. "First you check to see if fluid's gotten into the lung," he instructed, pinching on the tube in order to clamp off the flow of Sustagen.
"If it..."
"...syndrome of a type of disorder that you rarely ever see anymore, except among primitive cultures. We call it somnambuliform possession. Quite frankly, we don't know much about it except that it starts with some conflict or guilt that eventually leads to the patient's delusion
that his body's been invaded by an alien intelligence; a spirit, if you will. In times gone by, when belief in the devil was fairly strong, the possessing entity was usually a demon. In relatively modern cases, however, it's mostly the spirit of someone dead, often someone the patient has known or seen and is able unconsciously to mimic, like the voice and the mannerisms, even the features of the face, at times. They..."
After the gloomy Dr. Klein had left the house, Chris phoned her agent in Beverly Hills and announced to him lifelessly that she wouldn't be directing the segment. Then she called Mrs.
Perrin. She was out. Chris hung up the phone with a mounting feeling of desperation. Someone.
She would have to have help from...
"...Cases where it's spirits of the dead are more easy to deal with; you don't find the rages in most of those cases, or the hyperactivity and motor excitement. However, in the other main type of somnambuliform possession, the new personality's always malevolent, always hostile toward the first. Its primary aim, in fact, is to damage, torture and sometimes even kill it."
A set of restraining straps was delivered to the house and Chris stood watching, wan and spent, while Karl affixed them to Regan's bed and then to her wrists. Then as Chris moved a pillow in an effort to center it under Regan's head, the Swiss straightened up and looked pityingly at the child's ravaged face. "She is going to be well?" he asked. A hint of some emotion had tinged his words; they were lightly italicized with concern.
But Chris could not answer. As Karl was addressing her, she'd picked up an object that had been tucked under Regan's pillow. "Who put this crucifix here?" she demanded.
"The syndrome is only the manifestation of some conflict, of some guilt, so we try to get at it, find out what it is. Well, the best procedure in a case like this is hypnotherapy; however, we can't seem to put her under. So then we took a shot at narcosynthesis--- that's a treatment that uses narcotics--- but, frankly, that looks like another dead end."
"So what's next?'"
"Mostly time, I'm afraid, mostly time. We'll just have to keep trying, and hope for a change.
In the meantime, she's going to have to be hospitalized for a..."
Chris found Sharon in the kitchen setting up her typewriter on the table. She had just brought it up from the basement playroom. Willie sliced carrots at the sink for a stew.
"Was it you who put the crucifix under her pillow, Shar?" Chris asked with the strain of tension.
"What do you mean?" asked Sharon, fuddled.
"You didn't?"
"Chris, I don't even know what ybu're talking about. Look, I told you. I told you on the plane, all I've ever said to Rags is 'God made the world' and maybe things about---"
"Fine, Sharon, fine; I believe you, but---"
"Me, I don't put it," growled Willie defensively.
"Somebody put it there, dammit!" Chris erupted, then wheeled on Karl as he entered the kitchen and opened the refrigerator door. "Look, I'll ask you again," she gritted in a tone that verged on shrillness: "Did you put that crucifix under her pillow?"
"No, madam," he answered levelly. He was folding ice cubes into a face towel. "No. No cross."
"That fucking cross didn't just walk up there, damn you! One of you is lying!" She was shrieking with a rage that stunned the room. "Now you tell me who put it there, who---"'
Abruptly she slumped to a chair and began to sob into trembling hands. "Oh, I'm sorry, I'm sorry, I don't know what I'm doing!" she wept. "Oh, my God, I don't know what I'm doing!"
Willie and Karl watched silently as Sharon came up beside her and kneaded her neck with a comforting hand. "Hey, okay. It's okay."
Chris wiped at her face with the back of a sleeve. "yeah, I guess whoever did it"--- she sniffled-
