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stars, 2, 23, 88 – 89, 155, 194, 219;

257

female, 74 –78 ( see also Leander,

Sirk, Douglas (Detlef Sierck), 139,

Zarah); foreign, in silent films, 144;

155, 157, 161, 195, 208, 239 – 40,

Hollywood cult of, 82; opera, 40,

258, 265; Hollywood melodramas

45; in postwar Germany, 197; of

of, 207 –18, 211, 224 –25, 228 –34, westerns, 114

232, 264; Nazi films of, 61, 76 – 80, Star-Spangled Banner, 124

82 –94, 85, 91, 98, 158, 207, 208, State Department, U.S., 196

214, 286n41

Staudte, Wolfgang, 256

Smith, Kent, 185

Stefanie in Rio, 257

Sobchack, Vivian, 54

Steiner, Max, 37, 40, 147 –52, 154,

Söderbaum, Kristina, 74

278n41

Sombart, Werner, 128

Steinway and Sons, 215

Sommer, Hans, 217

Strauss, Johann, 151, 155

Sonderweg thesis of German history, Strauss, Richard, 45, 124, 146, 151,

139

154, 148

Sorry, Wrong Number, 181, 183

Stravinsky, Igor, 154

sound, 10 –12, 260; critiques of, 50;

Stroheim, Erich von, 218

dialectical, 220 –26; in film noir,

Stroszek, 265

174 –76, 180 – 84; introduction

Strubberg, Friedrich Armand, 104

of, 24 –31, 137, 140, 149, 168 –70,

studio system, 1–3, 137 – 63; anti-Nazi

201, 203; in Nazi cinema, 24 –26,

films and, 138 – 42, 144 – 45; decline

31–37, 46 – 47, 64 – 65, 99; in post-

Are sens

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