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Syberberg, Hans Jürgen, 6 –9, 265

total artwork, 60, 250; Nazi westerns

synchronized sound. See sound

as, 101, 118 –19; Wagnerian concept

of, 37, 38, 45, 141, 148

Tagesspiegel, Der, 193

tote Stadt, Die (The dead city) (Korn-Tägliche Rundschau Berlin, 194

gold), 151

talkies. See sound, introduction of Tourneur, Jacques, 183

Taradash, Daniel, 220

Transatlantic Tunnel, 282n22

tausend Augen des Dr. Mabuse, Die

Traub, Hans, 60, 64

(The thousand eyes of Dr. Mabuse),

Trenker, Luis, 18, 85, 100, 101, 109 –

228

11, 113 –23, 116, 130, 131, 291n49

Taylorism, 8, 122, 268

Treut, Monika, 226

Technicolor, 248

Tristan und Isolde (Wagner), 237, 238, Technik und Kultur, 128

240, 243, 245– 47

technology, 5, 128, 161, 203; anxiety

Triumph of the Will, 24, 119 –20

about, 65– 67, 103; Chaplin on,

Troubador (Verdi), 240

140 – 41; communication, 60 – 65,

Truffaut, François, 199

95; discourse on dangers of, 65;

Tunnel, The, 18, 32, 51–72, 53, 59, 68, émigré directors and, 162; and engi-99, 192, 236, 243, 281n8

neering of desire, 7; in film noir,

Turner, Frederick Jackson, 102

177, 179 – 80, 192; of power, 70; of

Twardowski, Hans von, 145

representation, 108, 118; and rise

Twentieth Century–Fox, 151, 202

of National Socialism, 25; of sound

film, 11, 50 –51, 148; of spectacular-

UFA, 26, 73, 80 – 83, 158, 197, 214,

ization, 89; of war, 102; westerns

Are sens

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