229, 256, 257, 278n37, 301n24;
and, 125, 127 –32. See also wide-
and introduction of synchronized
screen cinema
sound, 28, 175; Leander at, 76, 77,
telephones, 62 – 65; in film noir, 179 –
80 – 83, 85, 86, 89
81, 183, 184, 192
Ulmer, Edgar, 166
television, 131; widescreen cinema
United Artists, 145, 209
and, 235, 241, 251, 253
Universal Studios, 173, 203, 207, 213,
theater, sound film and, 30, 33 –34
230, 231, 264, 286n27
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utopianism, 72, 85, 99, 141, 178, 204,
Wanderscheck, Hermann, 278n36
261; aesthetic, 101; fascist, 95; melo-
Ward, Elizabeth, 174, 175
dramatic, 92 –93; music and, 148,
war film genre, 165
150, 155; negative, 8; radio and, 63;
Warner Bros., 26, 137, 150 –53, 202,
religion and, 209, 217; Wagnerian,
208, 239 – 40
6, 9, 37, 40, 153, 160, 263; westerns
Waschneck, Erich, 40
and, 108, 115, 132
Wasser für Canitoga. See Water for Canitoga
Van Dyke, W. S., 129
Water for Canitoga, 33, 100, 111, 114, Variety, 175
121, 125, 126, 127 –32, 130, 280n58
Venice Biennale (1936), 120
Wauer, William, 121
Verdi, Giuseppe, 240
Waxman, Franz, 37, 147, 148, 151, 152
