94, 95, 98, 112, 134, 162, 173, 207;
montage, 116 –17, 213, 248; dialectical,
in postwar West Germany, 226 –27;
222
pseudoindividualization in, 73; sub-
Morgenrot, 32, 33
version in, 233
Mortal Storm, The, 139
Maté, Rudolf, 183
Motion Picture Export Association of
Matthias, L. L., 228
America (MPEAA), 196
May, Karl, 102, 104, 119
Motion Picture Producers and Distrib-
McGilligan, Patrick, 302n24
utors of America (MPPDA), 137
McGuire, Dorothy, 184, 191, 193
mountain films, 108, 117 –18
Melodie des Herzens (Melody of the
Moving Picture World, 147
heart), 26 –28
Mozart, Wolfgang Amadeus, 42, 122
melodramas, 42, 80, 91–92, 94 –95,
Müller, Robert, 256
98, 99; postunification, 267; radio
multiple-language productions, 36, 51,
in, 61; science fiction films as, 67;
52, 70. See also Tunnel, The
of Sirk, 77, 78, 92 –94, 203 – 4, 207 –
Munich Film School, 230
19, 229 –32, 234, 264; Weimar, 95;
Murnau, Friedrich Wilhelm, 50, 264
West German, 227. See also titles
Muscio, Giuliana, 143
of specific films
music, 10 –12, 28, 43, 44, 121–25,
Menschen am Sonntag (People on a
146 –55, 205, 220 –22, 260; Chaplin
Sunday), 297n14
and, 141; in film noir, 170 –72,
