Devil strikes at midnight), 198
228, 233, 235; anaesthetic, 45– 46
Nation, The, 203
Possessed, 216, 241, 242
national cinema, conceptions of, 1–2
postcolonialism, 261
Neale, Steve, 56, 291n49
postmodernism, 253, 257
Negt, Oskar, 57 –59
poststructuralism, 262
neue Weltbühne, Die, 71
Potter, Pamela, 279n54
New Deal, 132, 142, 155, 206
power: language of, 140; spectacle of,
New German Cinema, 2, 10, 230,
115; technology of, 70
264 – 66
Preminger, Otto, 157, 166, 203
Newman, Alfred, 147
Pressburger, Arnold, 145
newsreels, 76; imitation, as framing
problem films, 99
device, 55–58
Production Code Administration
New York Times, 109, 286n41, 297n14
(PCA), 137 –38
Nietzsche, Friedrich, 190, 247
production codes, 29
nonsynchronicity, 235
progressivism, 205– 6
novels: films based on, 161 (see also
propaganda spectacles, 24
titles of specific films); hard-boiled, Protestantism, 193 –94, 228
167, 173 –74, 182; western, 102 – 4
Prümm, Karl, 169, 196
Nuremburg rallies, 119
pseudoindividualization, 32, 73, 96, 97
psychoanalysis, 104, 168; film theory
Oberhausen manifesto, 258
and, 32, 230, 242, 264 – 66; Lacanian,