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Devil strikes at midnight), 198

228, 233, 235; anaesthetic, 45– 46

Nation, The, 203

Possessed, 216, 241, 242

national cinema, conceptions of, 1–2

postcolonialism, 261

Neale, Steve, 56, 291n49

postmodernism, 253, 257

Negt, Oskar, 57 –59

poststructuralism, 262

neue Weltbühne, Die, 71

Potter, Pamela, 279n54

New Deal, 132, 142, 155, 206

power: language of, 140; spectacle of,

New German Cinema, 2, 10, 230,

115; technology of, 70

264 – 66

Preminger, Otto, 157, 166, 203

Newman, Alfred, 147

Pressburger, Arnold, 145

newsreels, 76; imitation, as framing

problem films, 99

device, 55–58

Production Code Administration

New York Times, 109, 286n41, 297n14

(PCA), 137 –38

Nietzsche, Friedrich, 190, 247

production codes, 29

nonsynchronicity, 235

progressivism, 205– 6

novels: films based on, 161 (see also

propaganda spectacles, 24

titles of specific films); hard-boiled, Protestantism, 193 –94, 228

167, 173 –74, 182; western, 102 – 4

Prümm, Karl, 169, 196

Nuremburg rallies, 119

pseudoindividualization, 32, 73, 96, 97

psychoanalysis, 104, 168; film theory

Oberhausen manifesto, 258

and, 32, 230, 242, 264 – 66; Lacanian,

Are sens

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