Menzel, Gerhard, 33
186; illusions created by, 55; light-
Metro-Goldwyn-Mayer (MGM), 134,
entertainment, 74; in melodrama,
169, 178, 202, 236, 239, 240, 257
210; and nineteenth-century con-
Metropolis, 28, 65, 207
structions of national identity, 10,
Midsummer Night’s Dream, A, 151
25, 42; operatic, 40, 42, 86, 236 –
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57; piano, 216 –19; popular, 73;
Pabst, G. W., 30, 169, 264
postunification, 268; radios and, 61,
Panavision, 235
62; and recording innovations, 50;
Papas Kino, 200
in westerns, 115–17, 121–25, 129,
Paramount Pictures, 202
220 –26
Parker, Eleanor, 237, 238, 249, 250
musicals, 38, 39, 40, 43 – 45, 99, 132, Patalas, Enno, 199, 200
137, 142, 161; female stars in, 74,
Patrioten, 32, 278n37
75, 80 – 86, 90 –91; in postwar Ger-
Petro, Patrice, 95
many, 196; widescreen format and,
Phantom Lady, 18, 167, 170 – 80, 171, 239
178, 184, 189
Musik im Blut (Music in the blood), pianos, 215–19, 231
40
Polan, Dana, 165
Musuraca, Nicholas, 194
Polgar, Alfred, 144
Pommer, Erich, 196
Nachts, wenn der Teufel kam (The
populism, 204 – 8, 210 –11, 214, 218,
