“I feel none, señora,” said Don Quixote, “for I would go so far as to swear to your excellence that in all my life I never mounted a quieter beast, or a pleasanter paced one, than Clavileño; and I don’t know what could have induced Malambruno to discard a steed so swift and so gentle, and burn it so recklessly as he did.”
“Probably,” said the duchess, “repenting of the evil he had done to the Trifaldi and company, and others, and the crimes he must have committed as a wizard and enchanter, he resolved to make away with all the instruments of his craft; and so burned Clavileño as the chief one, and that which mainly kept him restless, wandering from land to land; and by its ashes and the trophy of the placard the valour of the great Don Quixote of La Mancha is established for ever.”
Don Quixote renewed his thanks to the duchess; and having supped, retired to his chamber alone, refusing to allow anyone to enter with him to wait on him, such was his fear of encountering temptations that might lead or drive him to forget his chaste fidelity to his lady Dulcinea; for he had always present to his mind the virtue of Amadis, that flower and mirror of knights-errant. He locked the door behind him, and by the light of two wax candles undressed himself, but as he was taking off his stockings—O disaster unworthy of such a personage!—there came a burst, not of sighs, or anything belying his delicacy or good breeding, but of some two dozen stitches in one of his stockings, that made it look like a window-lattice. The worthy gentleman was beyond measure distressed, and at that moment he would have given an ounce of silver to have had half a drachm of green silk there; I say green silk, because the stockings were green.
Here Cide Hamete exclaimed as he was writing, “O poverty, poverty! I know not what could have possessed the great Cordovan poet to call thee ‘holy gift ungratefully received.’ Although a Moor, I know well enough from the intercourse I have had with Christians that holiness consists in charity, humility, faith, obedience, and poverty; but for all that, I say he must have a great deal of godliness who can find any satisfaction in being poor; unless, indeed, it be the kind of poverty one of their greatest saints refers to, saying, ‘possess all things as though ye possessed them not;’ which is what they call poverty in spirit. But thou, that other poverty—for it is of thee I am speaking now—why dost thou love to fall out with gentlemen and men of good birth more than with other people? Why dost thou compel them to smear the cracks in their shoes, and to have the buttons of their coats, one silk, another hair, and another glass? Why must their ruffs be always crinkled like endive leaves, and not crimped with a crimping iron?” (From this we may perceive the antiquity of starch and crimped ruffs.) Then he goes on: “Poor gentleman of good family! always cockering up his honour, dining miserably and in secret, and making a hypocrite of the toothpick with which he sallies out into the street after eating nothing to oblige him to use it! Poor fellow, I say, with his nervous honour, fancying they perceive a league off the patch on his shoe, the sweat-stains on his hat, the shabbiness of his cloak, and the hunger of his stomach!”
All this was brought home to Don Quixote by the bursting of his stitches; however, he comforted himself on perceiving that Sancho had left behind a pair of travelling boots, which he resolved to wear the next day. At last he went to bed, out of spirits and heavy at heart, as much because he missed Sancho as because of the irreparable disaster to his stockings, the stitches of which he would have even taken up with silk of another colour, which is one of the greatest signs of poverty a gentleman can show in the course of his never-failing embarrassments. He put out the candles; but the night was warm and he could not sleep; he rose from his bed and opened slightly a grated window that looked out on a beautiful garden, and as he did so he perceived and heard people walking and talking in the garden. He set himself to listen attentively, and those below raised their voices so that he could hear these words:
“Urge me not to sing, Emerencia, for thou knowest that ever since this stranger entered the castle and my eyes beheld him, I cannot sing but only weep; besides my lady is a light rather than a heavy sleeper, and I would not for all the wealth of the world that she found us here; and even if she were asleep and did not waken, my singing would be in vain, if this strange Æneas, who has come into my neighbourhood to flout me, sleeps on and wakens not to hear it.”
“Heed not that, dear Altisidora,” replied a voice; “the duchess is no doubt asleep, and everybody in the house save the lord of thy heart and disturber of thy soul; for just now I perceived him open the grated window of his chamber, so he must be awake; sing, my poor sufferer, in a low sweet tone to the accompaniment of thy harp; and even if the duchess hears us we can lay the blame on the heat of the night.”
“That is not the point, Emerencia,” replied Altisidora, “it is that I would not that my singing should lay bare my heart, and that I should be thought a light and wanton maiden by those who know not the mighty power of love; but come what may; better a blush on the cheeks than a sore in the heart;” and here a harp softly touched made itself heard. As he listened to all this Don Quixote was in a state of breathless amazement, for immediately the countless adventures like this, with windows, gratings, gardens, serenades, lovemakings, and languishings, that he had read of in his trashy books of chivalry, came to his mind. He at once concluded that some damsel of the duchess’s was in love with him, and that her modesty forced her to keep her passion secret. He trembled lest he should fall, and made an inward resolution not to yield; and commending himself with all his might and soul to his lady Dulcinea he made up his mind to listen to the music; and to let them know he was there he gave a pretended sneeze, at which the damsels were not a little delighted, for all they wanted was that Don Quixote should hear them. So having tuned the harp, Altisidora, running her hand across the strings, began this ballad:
O thou that art above in bed,
Between the holland sheets,
A-lying there from night till morn,
With outstretched legs asleep;
O thou, most valiant knight of all
The famed Manchegan breed,
Of purity and virtue more
Than gold of Araby;
Give ear unto a suffering maid,
Well-grown but evil-starr’d,
For those two suns of thine have lit
A fire within her heart.
Adventures seeking thou dost rove,
To others bringing woe;
Thou scatterest wounds, but, ah, the balm
To heal them dost withhold!
Say, valiant youth, and so may God
Thy enterprises speed,
Didst thou the light mid Libya’s sands
Or Jaca’s rocks first see?
Did scaly serpents give thee suck?
Who nursed thee when a babe?
Wert cradled in the forest rude,
Or gloomy mountain cave?
O Dulcinea may be proud,
That plump and lusty maid;
For she alone hath had the power
A tiger fierce to tame.
And she for this shall famous be
From Tagus to Jarama,
From Manzanares to Genil,
From Duero to Arlanza.
