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“Sleep thou, Sancho,” returned Don Quixote, “for thou wast born to sleep as I was born to watch; and during the time it now wants of dawn I will give a loose rein to my thoughts, and seek a vent for them in a little madrigal which, unknown to thee, I composed in my head last night.”

“I should think,” said Sancho, “that the thoughts that allow one to make verses cannot be of great consequence; let your worship string verses as much as you like and I’ll sleep as much as I can;” and forthwith, taking the space of ground he required, he muffled himself up and fell into a sound sleep, undisturbed by bond, debt, or trouble of any sort. Don Quixote, propped up against the trunk of a beech or a cork tree—for Cide Hamete does not specify what kind of tree it was—sang in this strain to the accompaniment of his own sighs:

When in my mind

I muse, O Love, upon thy cruelty,

To death I flee,

In hope therein the end of all to find.

But drawing near

That welcome haven in my sea of woe,

Such joy I know,

That life revives, and still I linger here.

Thus life doth slay,

And death again to life restoreth me;

Strange destiny,

That deals with life and death as with a play!

He accompanied each verse with many sighs and not a few tears, just like one whose heart was pierced with grief at his defeat and his separation from Dulcinea.

And now daylight came, and the sun smote Sancho on the eyes with his beams. He awoke, roused himself up, shook himself and stretched his lazy limbs, and seeing the havoc the pigs had made with his stores he cursed the drove, and more besides. Then the pair resumed their journey, and as evening closed in they saw coming towards them some ten men on horseback and four or five on foot. Don Quixote’s heart beat quick and Sancho’s quailed with fear, for the persons approaching them carried lances and bucklers, and were in very warlike guise. Don Quixote turned to Sancho and said, “If I could make use of my weapons, and my promise had not tied my hands, I would count this host that comes against us but cakes and fancy bread; but perhaps it may prove something different from what we apprehend.” The men on horseback now came up, and raising their lances surrounded Don Quixote in silence, and pointed them at his back and breast, menacing him with death. One of those on foot, putting his finger to his lips as a sign to him to be silent, seized Rocinante’s bridle and drew him out of the road, and the others driving Sancho and Dapple before them, and all maintaining a strange silence, followed in the steps of the one who led Don Quixote. The latter two or three times attempted to ask where they were taking him to and what they wanted, but the instant he began to open his lips they threatened to close them with the points of their lances; and Sancho fared the same way, for the moment he seemed about to speak one of those on foot punched him with a goad, and Dapple likewise, as if he too wanted to talk. Night set in, they quickened their pace, and the fears of the two prisoners grew greater, especially as they heard themselves assailed with—“Get on, ye Troglodytes;” “Silence, ye barbarians;” “March, ye cannibals;” “No murmuring, ye Scythians;” “Don’t open your eyes, ye murderous Polyphemes, ye blood-thirsty lions,” and suchlike names with which their captors harassed the ears of the wretched master and man. Sancho went along saying to himself, “We, tortolites, barbers, animals! I don’t like those names at all; ‘it’s in a bad wind our corn is being winnowed;’ ‘misfortune comes upon us all at once like sticks on a dog,’ and God grant it may be no worse than them that this unlucky adventure has in store for us.”

Don Quixote rode completely dazed, unable with the aid of all his wits to make out what could be the meaning of these abusive names they called them, and the only conclusion he could arrive at was that there was no good to be hoped for and much evil to be feared. And now, about an hour after midnight, they reached a castle which Don Quixote saw at once was the duke’s, where they had been but a short time before. “God bless me!” said he, as he recognised the mansion, “what does this mean? It is all courtesy and politeness in this house; but with the vanquished good turns into evil, and evil into worse.”

They entered the chief court of the castle and found it prepared and fitted up in a style that added to their amazement and doubled their fears, as will be seen in the following chapter.

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CHAPTER LXIX.

OF THE STRANGEST AND MOST EXTRAORDINARY ADVENTURE THAT BEFELL DON QUIXOTE IN THE WHOLE COURSE OF THIS GREAT HISTORY

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The horsemen dismounted, and, together with the men on foot, without a moment’s delay taking up Sancho and Don Quixote bodily, they carried them into the court, all round which near a hundred torches fixed in sockets were burning, besides above five hundred lamps in the corridors, so that in spite of the night, which was somewhat dark, the want of daylight could not be perceived. In the middle of the court was a catafalque, raised about two yards above the ground and covered completely by an immense canopy of black velvet, and on the steps all round it white wax tapers burned in more than a hundred silver candlesticks. Upon the catafalque was seen the dead body of a damsel so lovely that by her beauty she made death itself look beautiful. She lay with her head resting upon a cushion of brocade and crowned with a garland of sweet-smelling flowers of divers sorts, her hands crossed upon her bosom, and between them a branch of yellow palm of victory. On one side of the court was erected a stage, where upon two chairs were seated two persons who from having crowns on their heads and sceptres in their hands appeared to be kings of some sort, whether real or mock ones. By the side of this stage, which was reached by steps, were two other chairs on which the men carrying the prisoners seated Don Quixote and Sancho, all in silence, and by signs giving them to understand that they too were to be silent; which, however, they would have been without any signs, for their amazement at all they saw held them tongue-tied. And now two persons of distinction, who were at once recognised by Don Quixote as his hosts the duke and duchess, ascended the stage attended by a numerous suite, and seated themselves on two gorgeous chairs close to the two kings, as they seemed to be. Who would not have been amazed at this? Nor was this all, for Don Quixote had perceived that the dead body on the catafalque was that of the fair Altisidora. As the duke and duchess mounted the stage Don Quixote and Sancho rose and made them a profound obeisance, which they returned by bowing their heads slightly. At this moment an official crossed over, and approaching Sancho threw over him a robe of black buckram painted all over with flames of fire, and taking off his cap put upon his head a mitre such as those undergoing the sentence of the Holy Office wear; and whispered in his ear that he must not open his lips, or they would put a gag upon him, or take his life. Sancho surveyed himself from head to foot and saw himself all ablaze with flames; but as they did not burn him, he did not care two farthings for them. He took off the mitre and seeing it painted with devils he put it on again, saying to himself, “Well, so far those don’t burn me nor do these carry me off.” Don Quixote surveyed him too, and though fear had got the better of his faculties, he could not help smiling to see the figure Sancho presented. And now from underneath the catafalque, so it seemed, there rose a low sweet sound of flutes, which, coming unbroken by human voice (for there silence itself kept silence), had a soft and languishing effect. Then, beside the pillow of what seemed to be the dead body, suddenly appeared a fair youth in a Roman habit, who, to the accompaniment of a harp which he himself played, sang in a sweet and clear voice these two stanzas:

While fair Altisidora, who the sport

Of cold Don Quixote’s cruelty hath been,

Returns to life, and in this magic court

The dames in sables come to grace the scene,

And while her matrons all in seemly sort

My lady robes in baize and bombazine,

Her beauty and her sorrows will I sing

With defter quill than touched the Thracian string.

But not in life alone, methinks, to me

Belongs the office; Lady, when my tongue

Is cold in death, believe me, unto thee

My voice shall raise its tributary song.

My soul, from this strait prison-house set free,

As o’er the Stygian lake it floats along,

Thy praises singing still shall hold its way,

And make the waters of oblivion stay.

At this point one of the two that looked like kings exclaimed, “Enough, enough, divine singer! It would be an endless task to put before us now the death and the charms of the peerless Altisidora, not dead as the ignorant world imagines, but living in the voice of fame and in the penance which Sancho Panza, here present, has to undergo to restore her to the long-lost light. Do thou, therefore, O Rhadamanthus, who sittest in judgment with me in the murky caverns of Dis, as thou knowest all that the inscrutable fates have decreed touching the resuscitation of this damsel, announce and declare it at once, that the happiness we look forward to from her restoration be no longer deferred.”

No sooner had Minos the fellow judge of Rhadamanthus said this, than Rhadamanthus rising up said:

“Ho, officials of this house, high and low, great and small, make haste hither one and all, and print on Sancho’s face four-and-twenty smacks, and give him twelve pinches and six pin thrusts in the back and arms; for upon this ceremony depends the restoration of Altisidora.”

On hearing this Sancho broke silence and cried out, “By all that’s good, I’ll as soon let my face be smacked or handled as turn Moor. Body o’ me! What has handling my face got to do with the resurrection of this damsel? ‘The old woman took kindly to the blits; they enchant Dulcinea, and whip me in order to disenchant her; Altisidora dies of ailments God was pleased to send her, and to bring her to life again they must give me four-and-twenty smacks, and prick holes in my body with pins, and raise weals on my arms with pinches! Try those jokes on a brother-in-law; ‘I’m an old dog, and “tus, tus” is no use with me.’”

“Thou shalt die,” said Rhadamanthus in a loud voice; “relent, thou tiger; humble thyself, proud Nimrod; suffer and he silent, for no impossibilities are asked of thee; it is not for thee to inquire into the difficulties in this matter; smacked thou must be, pricked thou shalt see thyself, and with pinches thou must be made to howl. Ho, I say, officials, obey my orders; or by the word of an honest man, ye shall see what ye were born for.”

At this some six duennas, advancing across the court, made their appearance in procession, one after the other, four of them with spectacles, and all with their right hands uplifted, showing four fingers of wrist to make their hands look longer, as is the fashion now-a-days. No sooner had Sancho caught sight of them than, bellowing like a bull, he exclaimed, “I might let myself be handled by all the world; but allow duennas to touch me—not a bit of it! Scratch my face, as my master was served in this very castle; run me through the body with burnished daggers; pinch my arms with red-hot pincers; I’ll bear all in patience to serve these gentlefolk; but I won’t let duennas touch me, though the devil should carry me off!”

Here Don Quixote, too, broke silence, saying to Sancho, “Have patience, my son, and gratify these noble persons, and give all thanks to heaven that it has infused such virtue into thy person, that by its sufferings thou canst disenchant the enchanted and restore to life the dead.”

The duennas were now close to Sancho, and he, having become more tractable and reasonable, settling himself well in his chair presented his face and beard to the first, who delivered him a smack very stoutly laid on, and then made him a low curtsey.