His next publication was science fiction too, although it explored a different kind of space. The Haunted Woman, published two years after Arcturus, is set up like a thriller. It has a familiar 1920s setting with seaside resorts, betrothals and scandal, open-top cars and manor houses, but with a disturbing supernatural twist. Isbel and her fiancé seek to buy an old manor, Runhill house—a place steeped in myth and folklore. But the house emits eerie music that only certain people, like Isbel and Runhill’s owner, Mr Judge, can hear. They find phantom staircases and floors of the house that don’t exist. Isbel and Judge are drawn to the mysteries of Runhill and have to discover its secrets together.
Unfortunately, The Haunted Woman did not sell well either, despite Lindsay’s attempt at making it a more ‘commercial’ novel than Arcturus. Perhaps Lindsay was born into the wrong time; a metaphysical fantasy love story like The Haunted Woman would likely be popular if it was published today. In any case, Lindsay’s science fictional philosophical novels deserve more credit than they currently get.
When you read A Voyage to Arcturus, go in with an open mind. Engage with it. Be ready to be baffled. Don’t expect cheap sensational thrills for the sake of it. This is no pulp fiction. This book will be best enjoyed while reading, and after reading, if you connect with it. Get the deeper cogs of your brain grinding and search with Maskull for the ultimate truth. Religious or atheist or anything at all, you’ll get something out of this book. It has done its job if it has made you think.
A Voyage to Arcturus
David Lindsay
Chapter 6: Joiwind
This extract is Chapter 6 of A Voyage to Arcturus. In the previous chapter, Maskull and his companions, Nightspore and Krag, travelled from Starkness in the north of Scotland to the planet of Tormance. Maskull fell unconscious during the journey, and so remembers little past taking off from the observatory.
The whole expedition is shrouded in mystery. Maskull knows very little of why they travelled to Tormance. When questioned, Krag has been cryptic and Nightspore evasive in his answers. All the information Maskull can get from them is that they are in pursuit of a mysterious man called Surtur.
At the start of this chapter, Maskull first awakes on Tormance, naked and alone in the middle of a desert, with his friends nowhere in sight.
It was dense night when Maskull awoke from his profound sleep. A wind was blowing against him, gentle but wall-like, such as he had never experienced on earth. He remained sprawling on the ground, as he was unable to lift his body because of its intense weight. A numbing pain, which he could not identify with any region of his frame, acted from now onward as a lower, sympathetic note to all his other sensations. It gnawed away at him continuously; sometimes it embittered and irritated him, at other times he forgot it.
He felt something hard on his forehead. Putting his hand up, he discovered there a fleshy protuberance the size of a small plum, having a cavity in the middle, of which he could not feel the bottom. Then he also became aware of a large knob on each side of his neck, an inch below the ear.
From the region of his heart, a tentacle had budded. It was as long as his arm, but thin, like whipcord, and soft and flexible.
As soon as he thoroughly realised the significance of these new organs, his heart began to pump. Whatever might, or might not, be their use, they proved one thing that he was in a new world.
One part of the sky began to get lighter than the rest. Maskull cried out to his companions, but received no response. This frightened him. He went on shouting out, at irregular intervals—equally alarmed at the silence and at the sound of his own voice. Finally, as no answering hail came, he thought it wiser not to make too much noise, and after that he lay quiet, waiting in cold blood for what might happen.
In a short while he perceived dim shadows around him, but these were not his friends.
A pale, milky vapour over the ground began to succeed the black night, while in the upper sky rosy tints appeared. On earth, one would have said that day was breaking. The brightness went on imperceptibly increasing for a very long time.
Maskull then discovered that he was lying on sand. The colour of the sand was scarlet. The obscure shadows he had seen were bushes, with black stems and purple leaves. So far, nothing else was visible.
The day surged up. It was too misty for direct sunshine, but before long the brilliance of the light was already greater than that of the midday sun on earth. The heat, too, was intense, but Maskull welcomed it—it relieved his pain and diminished his sense of crushing weight. The wind had dropped with the rising of the sun.
He now tried to get onto his feet, but succeeded only in kneeling. He was unable to see far. The mists had no more than partially dissolved, and all that he could distinguish was a narrow circle of red sand dotted with ten or twenty bushes.
He felt a soft, cool touch on the back of his neck. He started forward in nervous fright and, in doing so, tumbled over onto the sand. Looking up over his shoulder quickly, he was astounded to see a woman standing beside him.
She was clothed in a single flowing, pale green garment, rather classically draped. According to earth standards she was not beautiful, for, although her face was otherwise human, she was endowed—or afflicted—with the additional disfiguring organs that Maskull had discovered in himself. She also possessed the heart tentacle. But when he sat up, and their eyes met and remained in sympathetic contact, he seemed to see right into a soul that was the home of love, warmth, kindness, tenderness, and intimacy. Such was the noble familiarity of that gaze, that he thought he knew her. After that, he recognised all the loveliness of her person. She was tall and slight. All her movements were as graceful as music. Her skin was not of a dead, opaque colour, like that of an earth beauty, but was opalescent; its hue was continually changing, with every thought and emotion, but none of these tints was vivid—all were delicate, half-toned, and poetic. She had very long, loosely plaited, flaxen hair. The new organs, as soon as Maskull had familiarised himself with them, imparted something to her face that was unique and striking. He could not quite define it to himself, but subtlety and inwardness seemed added. The organs did not contradict the love of her eyes or the angelic purity of her features, but nevertheless sounded a deeper note—a note that saved her from mere girlishness.
Her gaze was so friendly and unembarrassed that Maskull felt scarcely any humiliation at sitting at her feet, naked and helpless. She realised his plight, and put into his hands a garment that she had been carrying over her arm. It was similar to the one she was wearing, but of a darker, more masculine colour.
“Do you think you can put it on by yourself?”
He was distinctly conscious of these words, yet her voice had not sounded.
He forced himself up to his feet, and she helped him to master the complications of the drapery.
“Poor man—how you are suffering!” she said, in the same inaudible language. This time he discovered that the sense of what she said was received by his brain through the organ on his forehead.
“Where am I? Is this Tormance?” he asked. As he spoke, he staggered.
She caught him, and helped him to sit down. “Yes. You are with friends.”
Then she regarded him with a smile, and began speaking aloud, in English. Her voice somehow reminded him of an April day, it was so fresh, nervous, and girlish. “I can now understand your language. It was strange at first. In the future I’ll speak to you with my mouth.”
“This is extraordinary! What is this organ?” he asked, touching his forehead.
“It is named the ‘breve.’ By means of it we read one another’s thoughts. Still, speech is better, for then the heart can be read too.”
He smiled. “They say that speech is given us to deceive others.”
“One can deceive with thought, too. But I’m thinking of the best, not the worst.”
“Have you seen my friends?”
She scrutinised him quietly, before answering. “Did you not come alone?”
“I came with two other men, in a machine. I must have lost consciousness on arrival, and I haven’t seen them since.”
“That’s very strange! No, I haven’t seen them. They can’t be here, or we would have known it. My husband and I—”
“What is your name, and your husband’s name?”
“Mine is Joiwind—my husband’s is Panawe. We live a very long way from here; still, it came to us both last night that you were lying here insensible. We almost quarrelled about which of us should come to you, but in the end I won.” Here she laughed. “I won, because I am the stronger-hearted of the two; he is the purer in perception.”
“Thanks, Joiwind!” said Maskull simply.
The colours chased each other rapidly beneath her skin. “Oh, why do you say that? What pleasure is greater than loving-kindness? I rejoiced at the opportunity.... But now we must exchange blood.”
“What is this?” he demanded, rather puzzled.
“It must be so. Your blood is far too thick and heavy for our world. Until you have an infusion of mine, you will never get up.”
Maskull flushed. “I feel like a complete ignoramus here.... Won’t it hurt you?”
“If your blood pains you, I suppose it will pain me. But we will share the pain.”
“This is a new kind of hospitality to me,” he muttered.
“Wouldn’t you do the same for me?” asked Joiwind, half smiling, half agitated.
“I can’t answer for any of my actions in this world. I scarcely know where I am.... Why, yes—of course I would, Joiwind.”
