Keyshawn slings the red gas can onto the trawler, then follows Javier aboard—steadied by Brock.
Pistols drawn and dangling at their sides, Brock leads them into the spacious galley, where Jimmy and Bette Wu had tried to force them into a short sale of the Barrel, and the lawyer with the gun in his briefcase had tried to broker the deal. Where the life vest stows are supposedly packed with fentanyl precursors and frozen shark fins. All locked now, he sees.
They clear the galley and the kitchen, the bridge and the foredeck, the captain’s quarters and the cabins. Check the johns and the showers, the bait and cargo holds, even the cold catch holds—every place a human being might fit.
Brock starts in the captain’s room, splashes the gas over the bed and desk and chairs, the little wall-mounted TV, the shelves and fridge, the tattered, braided oval rug.
Soaks the bridge, the radios, the navigation gear.
The nets and the worktables, the racks of gaffs and guns and finning knives.
The engine room.
The cabins and toilets.
Then the galley and kitchen.
Standing just outside the galley entrance, Brock tosses a lit matchbook onto the gas-soaked table at which Jimmy “King” Wu had sat and laughed and tried to rob his mother.
Flames swoosh and huff.
“You don’t do that kind of shit to people,” he says, the flames swirling. “The Breath of Life doesn’t fucking allow it.”
“Amen, Brother Brock,” says Javier.
They unhitch and scramble back aboard Cinnamon Girl.
Cinnamon Girl and the other four Go Dogs boats—a very old retired police patrol boat from San Pedro, a Boston Whaler, two Baja-style pangas with big Yamaha outboards—bob at rest around her.
They’re a quarter mile away when flames begin to dance atop the bridge and deck of Empress II.
Brock watches through his binoculars as Dane Crockett nimbly guides Cinnamon Girl northwest with the swell.
He hates to watch a seaworthy boat destroyed, but he knows he had to do this, and will have to do more to put things right. To help the victims. The needy and the bullied and abused. Ask not what people can do for you …
“She’s going to blow any second, Brock,” says Dane.
Which she does.
Empress II, an orange, firework-spitting inferno, rages on a blue-black sea.
Three days later, from Cinnamon Girl, Brock and Mahina glass the dark green Luhrs Stallion atop Pyramid Reef off San Clemente Island. The other Go Dog boats form a wavering string in the soft current.
Brock glasses a white man with red hair and a burly Mexican finning sharks in the thick morning fog. They’re working at a table set up on the long Luhrs foredeck, the cabin and convertible observation platform behind them. The windows are dark and Brock can’t see in.
The Go Dog boats drift off to surrounded Stallion, and Dane Crockett eases Cinnamon Girl toward the finners with his silent electric motor.
Brock’s got his phone on burst mode and the shutter muted, and after a quick selfie that he’ll use to open the next Breath of Life post, he points it at the men.
Who look up in surprised unison, knives in their hands. They curse, waving their blades, and Red tries to get something from the pocket of his yellow, bloody, waist-high slicker. But he suddenly sees Javier, leaning over the gunwale of his panga, now drifting motorless through the fog and silently upon him with a sawed-off shotgun.
Two knives and four hands go skyward, then Red swings back to Brock.
“You can’t hide in a mask. You blew up Empress.”
“You burned down the Barrel,” says Brock.
The big Mexican looks eagerly to the cabin but Brock sees no movement there, and the man’s cagey expression seems false.
Brock reads it, too. “Dump the fins.”
Red lowers his knife and his free hand to the cleaning table. “Two days of fishing, over the side? Thousands of dollars of fins?”
Brock nods at Mahina. Who fires a ten-gauge warning shot into a Stallion cabin window. The safety glass fragments into diamonds around a big hole.
With his knife still in hand, Red sweeps the pile of shark fins on the cleaning table into the ocean with his forearm. The Mexican does likewise.
“Empty the buckets,” says Brock, filming again.
Red reaches back and hurls the long, thin-bladed knife at Brock, who sees it pinwheeling toward him through the fog. He dodges it, blood drops smacking his shirt.
Red and the Mexican empty four buckets of shark fins, cursing with each heave. Brock shoots the silvery triangles glittering through the dark, clear Pacific.
Mahina blasts the electronics cluster on the bridge with her shotgun, then the big-game rods and reels lined up along the aft flank of the cabin.
Two fruitless days later, aboard Cinnamon Girl and acting on a tip from one of Casey’s many YouTube followers—Brock, Mahina, Dane, and the Go Dog flotilla jump Bushmaster. She’s one of King Jim Seafood’s sleek red Cigarette boats, thirteen miles off Crystal Cove near Laguna, in international waters. Where she rocks on the pale, breeze-scrubbed sea.
They glass it from an idling, near silent distance.
Darren Fang—Polo—is alone on board, downloading white boxes with “FROZEN FISH” stickers on them over the transom from a man in a white fiberglass panga with twin outboards.
Brock recognizes Danilo, the hapless gunman from the former flagship Empress II.
Who, feet spread, rocks in the stern, is passing up the boxes.
Thirty seconds later, Brock, Mahina, and the Dogs have surrounded them from the four cardinal points of the compass, guns drawn, cursing wildly and ordering their hands up, like furious cops.
Danilo looks up and into the short barrel of Mahina’s shotgun. Drops a box and raises his hands.
Fang—now clad like his boss in a black-and-white LA Kings warm-up suit—turns a half circle, staring silently at his tormentors, then drops the box and puts his hands on his hips like he’s had enough of these crazy California freaks.
As Mahina holds her 10-gauge steady on Darren Fang, Brock motions him onto Cinnamon Girl, then takes the man’s hand and pulls him aboard.
Same for Danilo from the panga.
Dane has already boarded the Cigarette boat and cut open one of the white “FROZEN FISH” boxes. Holds up a clear plastic bag heavy with gray pills.
“Fent?” Brock asks Fang.
