107.5 min. Bells begin to ring, and the demons slink away, & the dead return to the earth to their graveyards.
108 min. Ghosts return to the graves. Soft music begins to play. Ave Maria by Schubert, which was written for the Catholic church, begins playing.
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109 min. Satan folds himself into a mountain. ‘"DO YOU SEE LUCIFER ANYWHERE? NO. YOU
ONLY SEE A MOUNTAIN."
110 min. Lights shine as if they are a column of moving people who are walking with lights, and then some walls appear.
110.5 min. An arched bridge appears with its mirror image. The column of silhouetted people who continue walking have mirror images in the river. The asst. programmer will be telling the system (which the front parts will hear) "TIME FOR ALL THE GOOD CHILDREN TO GO TO CHURCH.
IT’S O.K. TO GO TO CHURCH. GO SERVE GOD."
113. min. An opening, a vertical sliver of light comes from what appears to be doors opening up.
There is a mirror effect in the way the doors open, which will facilitate making mirror image front worlds. A whole new world opens up, which will be the front system’s world. Both the front alters and the deeper ones will be told to forget the movie. Later when a system is better programmed, the programmers will pull up the front alters and have them walk through these doors into the light.
When they are hypnotically taken through these doors into the light and away from the fear and darkness of the Kingdom of Satan, they are hypnotically told to close those doors and never look back. The Kingdom of Satan has been shown in detail and in great length. The Kingdom of Satan has been shown as powerful and fearful. Satan is shown as a mighty power that is to be feared. The Kingdom of Light is only shown as a peace, as a refuge from evil. It is not shown to be good. It is not shown to have power or intelligence. It is simply a place to go to escape the fear of Satan’s power.
This is all the programmers really want the church to be. It will be a stabilizing balance to let the mind recuperate from the hell of the programming, but it is not intended to be seen as greater than Satan and his Kingdom.
115 min. The film ends with a peaceful gaze at heaven. The child is being told in the last few minutes
"THAT WORLD BELONGS TO YOU. IT’S A BEAUTIFUL WORLD. IT’S THE WORLD WE
WANT YOU TO LIVE IN. IT’S BEAUTIFUL." After all the hell that is eventually dumped on the child, and the scare that Satan gives them in this Fantasia film, the child is only too happy to create a beautiful world to live in.
** * * * * ***** ******** ****** ******** **********
The effectiveness of Disney’s Fantasia is that it is used to communicate to & build the unconscious structures within the child’s mind. The unconscious mind is the seat of our creative abilities. Then the conscious mind makes adaptations upon this unconscious thinking.
SUMMARY
Now that the reader has covered so much, the following quotes (with bold emphasis’s added) take on even deeper meaning:
Joe Flower in Prince of the Magic Kingdom, ,, Walt Disney was obsessed with creation, driven to build magical worlds not, as many artists are, out of paint and canvas, or words, or even film, but physically, out of concrete, wires, smoke, electricity, and highly programmed employees." (p. 23) Julian Halevy in Nation decries Disney taking this nation into a "drift to fantasy." He adds, "...one feels our whole culture heading up the dark river to the source--that heart of darkness where Mr.
Disney traffics in pastel trinketed evil for gold and ivory." For those who understand programming Aubrey Menen comments about Disney’s success are profoundly appropriate, "the strongest desire an artist knows...to create a world of his own where everything is just as he imagines it." John Ciardi was not so nice, he termed Walt Disney as "the shyster in the backroom of illusion." Eliot said, "While his 63
filmed fairy tales may have appeared at first glance to be light and dreamlike, upon closer examination they seemed more nightmares of deconstructed reality in league with the era’s leading neo-Freudian Modernists."
· You have now finished reading a never-before-heard, unprecedented Warning about the Dark Reality of the Disney’s Magic Kingdom, and how it fits in with Mind-Control. Most Americans when surveyed say they believe in God, most go to church, and many believe they are born-again. Because of the Illuminati’s deception campaign over several generations, the American public, and the world in general has been led to believe that Disney was good, and that Walt Disney was a good man.
Because of his image, people suspended judgement about Disney and Disney movies. They entrusted their children to him. People had been manipulated into a frame of mind, a predisposition that whatever comes out of Disney is good. They entrusted their children to take in what Disney fed their children’s little minds week after week. The public’s predisposition of trust was used to introduce Illuminati beliefs and their political agenda, and to carry out a vast program of trauma-based mind-control on hundreds of thousands of tiny little children, whose minds and souls were stolen from them. Because many of the child slaves, who are programmed with Disney-themes, are programmed with roles in bringing in the Anti-Christ, Walt Disney and his family have played a major role for the Anti-Christ. And now you can see how accurate the Word of God is when it says, What is highly esteemed among men, is an abomination to God. First, there will be an Overview of the types of sources used, and then will follow a partial Bibliography on this Disney Section.
TYPES OF SOURCES
People who have worked for Disney and who are getting pensions and medical insurance have talked about Disney under the condition of anonymity. This is because the Disney hierarchy will not permit exposure without retaliation. Several non-Disney people who helped with discovering facts for this section were threatened that their children lives would be taken if they continued to investigate Disney. What I (Fritz Springmeier) finally have put in this, is solely my responsibility.
· One type of source for this was books on the Hollywood Film Industry and books on Disney Films.
There were about 20 books of this category which were perused for a better understanding of who the Disney brothers were and what Disney Co. was about. One of the best in this type of source was The Art of Walt Disney from Mickey Mouse to the Magic Kingdom by Christopher Finch (NY: Harry N.
Abrams, Inc., 1975.)
* Another type of source were the standard biographical reference books,, such as Who’s Who, Who’s Who in the West (1951), World Biography, Who Was Who,, Current Biography 1952, etc.
* Another type of source was critics of Disney’s movies such as several articles exposing the Lion King, Media Spotlight’s article Fantasia, Rush Limbaugh’s comments and statements concerning how Disney had betrayed its viewers’ trust, the Spotlight’s Feb. 26, ‘96 p. 31 article "Disney Turns Back on Family Values."’
· Another type of source was magazine and newspaper articles about Disney such as the Oregonian’s art. on a Disney director being a convicted child molester. NY Times, Newsweek and other magazine and newspaper sources. An important series of extremely good investigative reports which were written by Harry V. Martin for the Napa Sentinel in 1989 were very important in learning of some of the Illuminati/CIA/Contra/Drug Running activities in Napa Valley, CA that Roy Disney is associated with. Harry V. Martin went into all kinds of records and did an excellent job of investigative reporting. The magazine Monde 2000, no.12, had an article on non-lethal weapons that the NWO is developing. This article was reprinted in Encounter Chronicles Journal of Scientific Intelligence, and discussed how Disney has been working with Sandia Labs and Los Alamos.
· Another type of source were victims of Illuminati mind-control, who have recovered memories of being programmed at Disneyland and Disneyworld.
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· Another type of source has been to watch Disney movies as an investigative tool to understand how Disney is programming, how they are skillfully indoctrinating the American people into witchcraft, etc. This author has also personally been to both Disneyland, near Anaheim, CA and Disneyworld, near Orlando, FL.
· Another source was the Walt Disney Co.’s Annual Reports, and also the reference book Directory of Corporate Affiliations (1986) published by the National Register Pub. Co.
· Another type of source were books which specialized in covering details about Disneyland such as Disneyland And Beyond the Ultimate Family Guidebook (edited by Ray Riegert, and printed by Ulysses Press of Berkeley, CA); and Walt Disney’s Disneyland (by Martin A. Sklar and introduced by Walt Disney.) AAA had a 27 page booklet "Disneyland Park and Southern California", which came out in 1996, which provides information on what is being offered at Disneyland and vicinity.
The book refers repeatedly to "Disney Magic". One has to wonder how Christians and non-occultic persons can’t see how occult Disney is.
Partial BIBLIOGRAPHY
BOOKS.
AAA. Disneyland Park and Southern California. 1996.
the Walt Disney Co.’s Annual Reports. pub. by the Walt Disney Co. annually.
Auletta, Ken. Three Blind Mice. NY: Random House, 1991.
Cluran, Richard M. To the End of Time. Rockefeller Ctr, NY, NY: Simon & Schuster.
Commander M. The Controllers: A New Hypothesis of Alien Abductions. (subtitle Alien Abductions, or Government Secret Mind Control Black R&D Programs). 88 pages long. 1990.
Current Biography 1952
Directory of Corporate Affiliations (1986) published by the National Register Pub. Co.
Eliot, Marc. Walt Disney Hollywood’s Dark Prince. NY, NY: Harper Paperbacks, 1993.
Finch, Christopher. The Art of Walt Disney from Mickey Mouse to the Magic Kingdom. NY: Harry N. Abrams, Inc., 1975.
Hagstrom, Robert G. Jr. The Warren Buffett Way. NY: John Wiley & Sons.
