“Could I be the cause?” murmured the young man, staring without seeing the Captain-General, whom he was following mechanically.
1 A metrical discourse for a special occasion or in honor of some distinguished personage. Padre Zuñiga ( Estadismo, Chap. III) thus describes one heard by him in Lipa, Batangas, in 1800, on the occasion of General Alava’s visit to that place: “He who is to recite the loa is seen in the center of the stage dressed as a Spanish cavalier, reclining in a chair as if asleep, while behind the scenes musicians sing a lugubrious chant in the vernacular. The sleeper awakes and shows by signs that he thinks he has heard, or dreamed of hearing, some voice. He again disposes himself to sleep, and the chant is repeated in the same lugubrious tone. Again he awakes, rises, and shows that he has heard a voice. This scene is repeated several times, until at length he is persuaded that the voice is announcing the arrival of the hero who is to be eulogized. He then commences to recite his loa, carrying himself like a clown in a circus, while he sings the praises of the person in whose honor the fiesta has been arranged. This loa, which was in rhetorical verse in a diffuse style suited to the Asiatic taste, set forth the general’s naval expeditions and the honors he had received from the King, concluding with thanks and acknowledgment of the favor that he had conferred in passing through their town and visiting such poor wretches as they. There were not lacking in it the wanderings of Ulysses, the journeys of Aristotle, the unfortunate death of Pliny, and other passages from ancient history, which they delight in introducing into their stories. All these passages are usually filled with fables touching upon the marvelous, such as the following, which merit special notice: of Aristotle it was said that being unable to learn the depth of the sea he threw himself into its waves and was drowned, and of Pliny that he leaped into Vesuvius to investigate the fire within the volcano. In the same way other historical accounts are confused. I believe that these loas were introduced by the priests in former times, although the fables with which they abound would seem to offer an objection to this opinion, as nothing is ever told in them that can be found in the writings of any European author; still they appear to me to have been suited to the less critical taste of past centuries. The verses are written by the natives, among whom there are many poets, this art being less difficult in Tagalog than in any other language.”—TR.
2 “The old man of the village,” patriarch.—TR.
3 The secular name of St. Francis of Assisi, founder of the Franciscan order.—TR.
Chapter XXXIX
Doña Consolacion
Why were the windows closed in the house of the alferez? Where were the masculine features and the flannel camisa of the Medusa or Muse of the Civil Guard while the procession was passing? Had Doña Consolacion realized how disagreeable were her forehead seamed with thick veins that appeared to conduct not blood but vinegar and gall, and the thick cigar that made a fit ornament for her purple lips, and her envious leer, and yielding to a generous impulse had she wished not to disturb the pleasure of the populace by her sinister appearance?
Ah, for her generous impulses existed in the Golden Age! The house, showed neither lanterns nor banners and was gloomy precisely because the town was making merry, as Sinang said, and but for the sentinel walking before the door appeared to be uninhabited.
A dim light shone in the disordered sala, rendering transparent the dirty concha-panes on which the cobwebs had fastened and the dust had become incrusted.
The lady of the house, according to her indolent custom, was dozing on a wide sofa. She was dressed as usual, that is, badly and horribly: tied round her head a pañuelo, from beneath which escaped thin locks of tangled hair, a camisa of blue flannel over another which must once have been white, and a faded skirt which showed the outlines of her thin, flat thighs, placed one over the other and shaking feverishly. From her mouth issued little clouds of smoke which she puffed wearily in whatever direction she happened to be looking when she opened her eyes. If at that moment Don Francisco de Cañamaque1 could have seen her, he would have taken her for a cacique of the town or the mankukúlam, and then decorated his discovery with commentaries in the vernacular of the markets, invented by him for her particular use.
That morning she had not attended mass, not because she had not so desired, for on the contrary she had wished to show herself to the multitude and to hear the
sermon, but her spouse had not permitted her to do so, his refusal being accompanied as usual by two or three insults, oaths, and threats of kicking. The alferez knew that his mate dressed ridiculously and had the appearance of what is known as a “querida of the soldiers,” so he did not care to expose her to the gaze of strangers and persons from the capital. But she did not so understand it.
She knew that she was beautiful and attractive, that she had the airs of a queen and dressed much better and with more splendor than Maria Clara herself, who wore a tapis while she went in a flowing skirt. It was therefore necessary for the alferez to threaten her, “Either shut up, or I’ll kick you back to your damned town!” Doña Consolacion did not care to return to her town at the toe of a boot, but she meditated revenge.
Never had the dark face of this lady been such as to inspire confidence in any one, not even when she painted, but that morning it greatly worried the servants, especially when they saw her move about the house from one part to another, silently, as if meditating something terrible or malign. Her glance reflected the look that springs from the eyes of a serpent when caught and about to be crushed; it was cold, luminous, and penetrating, with something fascinating, loathsome, and cruel in it. The most insignificant error, the least unusual noise, drew from her a vile insult that struck into the soul, but no one answered her, for to excuse oneself would have been an additional fault.
So the day passed. Not encountering any obstacle that would block her way,—
her husband had been invited out,—she became saturated with bile, the cells of her whole organism seemed to become charged with electricity which threatened to burst in a storm of hate. Everything about her folded up as do the flowers at the first breath of the hurricane, so she met with no resistance nor found any point or high place to discharge her evil humor. The soldiers and servants kept away from her. That she might not hear the sounds of rejoicing outside she had ordered the windows closed and charged the sentinel to let no one enter. She tied a handkerchief around her head as if to keep it from bursting and, in spite of the fact that the sun was still shining, ordered the lamps to be lighted.
Sisa, as we saw, had been arrested as a disturber of the peace and taken to the barracks. The alferez was not then present, so the unfortunate woman had had to spend the night there seated on a bench in an abandoned attitude. The next day the alferez saw her, and fearing for her in those days of confusion nor caring to risk a disagreeable scene, he had charged the soldiers to look after her, to treat
her kindly, and to give her something to eat. Thus the madwoman spent two days.
Tonight, whether the nearness to the house of Capitan Tiago had brought to her Maria Clara’s sad song or whether other recollections awoke in her old melodies, whatever the cause, Sisa also began to sing in a sweet and melancholy voice the kundíman of her youth. The soldiers heard her and fell silent; those airs awoke old memories of the days before they had been corrupted. Doña Consolacion also heard them in her tedium, and on learning who it was that sang, after a few moments of meditation, ordered that Sisa be brought to her instantly. Something like a smile wandered over her dry lips.
When Sisa was brought in she came calmly, showing neither wonder nor fear.
She seemed to see no lady or mistress, and this wounded the vanity of the Muse, who endeavored to inspire respect and fear. She coughed, made a sign to the soldiers to leave her, and taking down her husband’s whip, said to the crazy woman in a sinister tone, “Come on, magcantar icau! ” 2
Naturally, Sisa did not understand such Tagalog, and this ignorance calmed the Medusa’s wrath, for one of the beautiful qualities of this lady was to try not to know Tagalog, or at least to appear not to know it. Speaking it the worst possible, she would thus give herself the air of a genuine orofea,3 as she was accustomed to say. But she did well, for if she martyrized Tagalog, Spanish fared no better with her, either in regard to grammar or pronunciation, in spite of her husband, the chairs and the shoes, all of which had done what they could to teach her.
One of the words that had cost her more effort than the hieroglyphics cost Champollion was the name Filipinas. The story goes that on the day after her wedding, when she was talking with her husband, who was then a corporal, she had said Pilipinas. The corporal thought it his duty to correct her, so he said, slapping her on the head, “Say Felipinas, woman! Don’t be stupid! Don’t you know that’s what your damned country is called, from Felipe? ”
The woman, dreaming through her honeymoon, wished to obey and said Felepinas. To the corporal it seemed that she was getting nearer to it, so he increased the slaps and reprimanded her thus: “But, woman, can’t you pronounce Felipe? Don’t forget it; you know the king, Don Felipe—the fifth—. Say Felipe,
and add to it nas, which in Latin means ‘islands of Indians,’ and you have the name of your damned country!”
Consolacion, at that time a washerwoman, patted her bruises and repeated with symptoms of losing her patience, “Fe-li-pe, Felipe—nas, Fe-li-pe-nas, Felipinas, so?”
The corporal saw visions. How could it be Felipenas instead of Felipinas? One of two things: either it was Felipenas or it was necessary to say Felipi! So that day he very prudently dropped the subject. Leaving his wife, he went to consult the books. Here his astonishment reached a climax: he rubbed his eyes—let’s see
—slowly, now! F-i-l-i-p-i-n-a-s, Filipinas! So all the well-printed books gave it
—neither he nor his wife was right!
“How’s this?” he murmured. “Can history lie? Doesn’t this book say that Alonso Saavedra gave the country that name in honor of the prince, Don Felipe? How was that name corrupted? Can it be that this Alonso Saavedra was an Indian?” 4
With these doubts he went to consult the sergeant Gomez, who, as a youth, had wanted to be a curate. Without deigning to look at the corporal the sergeant blew out a mouthful of smoke and answered with great pompousness, “In ancient times it was pronounced Filipi instead of Felipe. But since we moderns have become Frenchified we can’t endure two i’s in succession, so cultured people, especially in Madrid—you’ve never been in Madrid?—cultured people, as I say, have begun to change the first i to e in many words. This is called modernizing yourself.”
The poor corporal had never been in Madrid—here was the cause of his failure to understand the riddle: what things are learned in Madrid! “So now it’s proper to say—”
“In the ancient style, man! This country’s not yet cultured! In the ancient style, Filipinas! ” exclaimed Gomez disdainfully.
The corporal, even if he was a bad philologist, was yet a good husband. What he had just learned his spouse must also know, so he proceeded with her education:
“Consola, what do you call your damned country?”
“What should I call it? Just what you taught me: Felifinas! ”
“I’ll throw a chair at you, you ———! Yesterday you pronounced it even better in the modern style, but now it’s proper to pronounce it like an ancient: Feli, I mean, Filipinas! ”
“Remember that I’m no ancient! What are you thinking about?”
“Never mind! Say Filipinas! ”
“I don’t want to. I’m no ancient baggage, scarcely thirty years old!” she replied, rolling up her sleeves and preparing herself for the fray.
