Under the last rays of the setting sun they left the woods, passing in silence by the mysterious tomb of Ibarra’s ancestors. Afterwards, the merry talk was resumed in a lively manner, full of warmth, beneath those branches so little accustomed to hear so many voices. The trees seemed sad, while the vines swung back and forth as if to say, “Farewell, youth! Farewell, dream of a day!”
Now in the light of the great red torches of bamboo and with the sound of the guitars let us leave them on the road to the town. The groups grow smaller, the lights are extinguished, the songs die away, and the guitar becomes silent as they approach the abodes of men. Put on the mask now that you are once more amongst your kind!
1 “Listening Sister,” the nun who acts as spy and monitor over the girls studying in a convent.—TR.
2 “Más sabe el loco en su casa que el cuerdo en la ajena.” The fool knows more in his own house than a wise man does in another’s.—TR.
Chapter XXV
In the House of the Sage
On the morning of the following day, Ibarra, after visiting his lands, made his way to the home of old Tasio. Complete stillness reigned in the garden, for even the swallows circling about the eaves scarcely made any noise. Moss grew on the old wall, over which a kind of ivy clambered to form borders around the windows. The little house seemed to be the abode of silence.
Ibarra hitched his horse carefully to a post and walking almost on tiptoe crossed the clean and well-kept garden to the stairway, which he ascended, and as the door was open, he entered. The first sight that met his gaze was the old man bent over a book in which he seemed to be writing. On the walls were collections of insects and plants arranged among maps and stands filled with books and manuscripts. The old man was so absorbed in his work that he did not notice the presence of the youth until the latter, not wishing to disturb him, tried to retire.
“Ah, you here?” he asked, gazing at Ibarra with a strange expression. “Excuse me,” answered the youth, “I see that you’re very busy—”
“True, I was writing a little, but it’s not urgent, and I want to rest. Can I do anything for you?”
“A great deal,” answered Ibarra, drawing nearer, “but—”
A glance at the book on the table caused him to exclaim in surprise, “What, are you given to deciphering hieroglyphics?”
“No,” replied the old man, as he offered his visitor a chair. “I don’t understand Egyptian or Coptic either, but I know something about the system of writing, so I write in hieroglyphics.”
“You write in hieroglyphics! Why?” exclaimed the youth, doubting what he saw and heard.
“So that I cannot be read now.”
Ibarra gazed at him fixedly, wondering to himself if the old man were not indeed crazy. He examined the book rapidly to learn if he was telling the truth and saw neatly drawn figures of animals, circles, semicircles, flowers, feet, hands, arms, and such things.
“But why do you write if you don’t want to be read?”
“Because I’m not writing for this generation, but for other ages. If this generation could read, it would burn my books, the labor of my whole life. But the generation that deciphers these characters will be an intelligent generation, it will understand and say, ‘Not all were asleep in the night of our ancestors!’ The mystery of these curious characters will save my work from the ignorance of men, just as the mystery of strange rites has saved many truths from the destructive priestly classes.”
“In what language do you write?” asked Ibarra after a pause.
“In our own, Tagalog.”
“Are the hieroglyphical signs suitable?”
“If it were not for the difficulty of drawing them, which takes time and patience, I would almost say that they are more suitable than the Latin alphabet. The ancient Egyptian had our vowels; our o, which is only final and is not like that of the Spanish, which is a vowel between o and u. Like us, the Egyptians lacked the true sound of e, and in their language are found our ha and kha, which we do not have in the Latin alphabet such as is used in Spanish. For example, in this word mukha,” he went on, pointing to the book, “I transcribe the syllable ha more correctly with the figure of a fish than with the Latin h, which in Europe is pronounced in different ways. For a weaker aspirate, as for example in this word haín, where the h has less force, I avail myself of this lion’s head or of these three lotus flowers, according to the quantity of the vowel. Besides, I have the nasal sound which does not exist in the Latin-Spanish alphabet. I repeat that if it
were not for the difficulty of drawing them exactly, these hieroglyphics could almost be adopted, but this same difficulty obliges me to be concise and not say more than what is exact and necessary. Moreover, this work keeps me company when my guests from China and Japan go away.”
“Your guests from China and Japan?”
“Don’t you hear them? My guests are the swallows. This year one of them is missing—some bad boy in China or Japan must have caught it.”
“How do you know that they come from those countries?”
“Easily enough! Several years ago, before they left I tied to the foot of each one a slip of paper with the name ‘Philippines’ in English on it, supposing that they must not travel very far and because English is understood nearly everywhere.
For years my slips brought no reply, so that at last I had it written in Chinese and here in the following November they have returned with other notes which I have had deciphered. One is written in Chinese and is a greeting from the banks of the Hoang-Ho and the other, as the Chinaman whom I consulted supposes, must be in Japanese. But I’m taking your time with these things and haven’t asked you what I can do for you.”
“I’ve come to speak to you about a matter of importance,” said the youth.
“Yesterday afternoon—”
“Have they caught that poor fellow?”
“You mean Elias? How did you know about him?”
“I saw the Muse of the Civil Guard!”
“The Muse of the Civil Guard? Who is she?”
“The alferez’s woman, whom you didn’t invite to your picnic. Yesterday morning the incident of the cayman became known through the town. The Muse of the Civil Guard is as astute as she is malignant and she guessed that the pilot must be the bold person who threw her husband into the mudhole and who assaulted Padre Damaso. As she reads all the reports that her husband is to receive, scarcely had he got back home, drunk and not knowing what he was
doing, when to revenge herself on you she sent the sergeant with the soldiers to disturb the merriment of your picnic. Be careful! Eve was a good woman, sprung from the hands of God—they say that Doña Consolacion is evil and it’s not known whose hands she came from! In order to be good, a woman needs to have been, at least sometime, either a maid or a mother.”
Ibarra smiled slightly and replied by taking some documents from his pocketbook. “My dead father used to consult you in some things and I recall that he had only to congratulate himself on following your advice. I have on hand a little enterprise, the success of which I must assure.” Here he explained briefly his plan for the school, which he had offered to his fiancée, spreading out in view of the astonished Sage some plans which had been prepared in Manila.
“I would like to have you advise me as to what persons in the town I must first win over in order to assure the success of the undertaking. You know the inhabitants well, while I have just arrived and am almost a stranger in my own country.”
Old Tasio examined the plans before him with tear-dimmed eyes. “What you are going to do has been my dream, the dream of a poor lunatic!” he exclaimed with emotion. “And now the first thing that I advise you to do is never to come to consult with me.”
The youth gazed at him in surprise.
